She Is Needed Throughout The World To Educate. Hear From Tanya Morning Star.

Our first attempt at this resulted in catastrophic audio quality...but I was so intrigued by her enthusiasm and thoughtful approach to wine and wine education that I had to find the time to get her back on the show. Meet Tonya Morning Star. I am...
Our first attempt at this resulted in catastrophic audio quality...but I was so intrigued by her enthusiasm and thoughtful approach to wine and wine education that I had to find the time to get her back on the show.
Meet Tonya Morning Star.
I am thrilled to share the latest episode of Wine Talks, featuring my special guest, Tanya Morning Star, CEO of the Cellar Muse. This episode delves into the world of wine education, exploring the rich tapestry of wine origin, history, and the unifying experience of wine tasting.
In this engaging episode, Tanya discusses her unique approach to wine education, emphasizing the importance of understanding a wine's origin and the joy that comes from truly connecting with its story. She sheds light on the transformation in the wine industry from gatekeeping to a more open, enthusiastic, and accessible experience for everyone.
Tanya also highlights the significance of wine tourism and the profound experiences that come from being immersed in wine culture. With her immersive educational tours in places like Burgundy, Champagne, and Sonoma, she provides participants with unique and deep insights that go beyond traditional wine tasting.
This episode is not only for seasoned wine professionals but also for enthusiasts who wish to deepen their understanding and appreciation of wine. Tanya's passion for wine education and her innovative teaching methods are sure to inspire you.
Tune in to this episode and let Tanya Morningstar guide you through the beautiful journey of wine exploration. Whether you're a professional sommelier or a wine lover, this conversation is packed with insights that will enhance your wine knowledge and appreciation.
Listen now and bring a glass along as we toast to the joy and wonder of wine!
Cheers, The Wine Talks Team
P.S. Don't miss Tanya's thoughts on the significance of preserving cultural heritage through wine education, and how you can experience this even from your own home. Enjoy!
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Tanya Morningstar is not only a wine expert but also a historian and taught wine history at the college level for a decade.
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Paul Kalemkiarian's father was a pharmacist who fell in love with wine after owning a liquor store.
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Tanya Morningstar leads immersive educational wine experiences in regions like France, Italy, and California, which sometimes include places not open to the public.
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Paul Kalemkiarian spends his free time coaching Little League baseball, reflecting his enthusiasm for both wine and sports.
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I am really interested in understanding wines of origin,
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understanding what makes a wine uniquely itself. And when
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I look at the systematic approach, it helps us to understand the kind of structural
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components of wine, but it doesn't speak at all to the
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origin of wine or the meaning of the wine. And so if students think that
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that's the end way of tasting, then you're missing all the joy, all the
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enthusiasm, all the identity of a wine. Sit back
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and grab a glass. It's Wine Talks with
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Paul K. Hey, welcome to Wine Talks
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with Paul Kay. And we are in studio today, beautiful Southern California, about to have
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a conversation with Tanya Morningstar, the CEO of the Cellar
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Muse. Hey, listen, I just launched a new. I'm gonna launch a
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new podcast called the Song of America. Song of America is the name of a
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book written by the famed restaurateur Monsieur George
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Mardikian in San Francisco. And it's his. The book is about his
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track to America and his success as a restaurant tour. I took
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the name, I was able to get permission from the sun,
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and I created a podcast around stories of immigration
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that turned into social, financial, or
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political success. And so the first episode is the
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Agonian Brothers Crazy stories about early
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days of racing in America, as well as immigration to the United States
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by the grandfather. So have a listen to that. Hey, give me a good review.
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If you don't like it, then don't review it at all. Right?
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And subscribe, please, but not while we're here.
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We tried this once before with Tanya Morningstar, and
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complete failure on the technical side. So we're back in studio
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together. Welcome to the show. Thank you. You know, I asked you,
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what do you call yourself? And I said, CEO, and you go, yeah, that sounds
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pretty good. So. But you are. You.
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You just got done telling me about your certification and your teaching of
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champagne to professionals and to just dovetail off of that,
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because this is an interesting part of our industry right now. Here. You
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are certified to teach certain aspects or maybe the
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entire history of champagne to professionals. What does that mean? What does
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that mean to professionals? What do you call a professional?
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Well, I guess I'm see how I'm going to answer that
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question. So essentially,
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the. The wine boards of. Of the world have,
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you know, marketing money that they want to invest in training people who
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work with their wines. And so in the case we were discussing the
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champagne specialist certification and some of the other,
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I was talking about a special sensory workshop that I developed to
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decode the winemaking process of
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champagne. And also, as I said it, to listen for the different players in
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the symphony, these are things that
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wine boards support. So, for example, they
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want us to interact with sommelier
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journalists, importers, salespeople,
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and help them to understand their wines better so that they can represent
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them better. So in those cases, sometimes
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wine boards like the Comite Champagne will sponsor and
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support curriculums that, for example, that I
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produce, like the Sensory Workshop. And then I can invite
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people in those categories or wine students
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who are pursuing higher level certifications and hopes to enter
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into the industry and offer it for, you know,
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virtually free. Now, the Champagne specialist course is a paid
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course, but the Commiteier Champagne developed it and, you know, brought me and a
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couple of other educators out there to train, to train to teach it.
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So. Well, let me ask this. This is this
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balancing act that we're in because. And I think it's.
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I think generationally, it just happens all the time. And, you know, the.
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The language of wine was different for Michael Broadbent and
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Harry Waugh than it was in my father, than it was for you and I,
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and maybe different for the future generations. Yeah, but there's this
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whole movement socially about, you know. Well,
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I don't ever believe in demystifying wine. I don't believe in the idea of
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simplifying wine because it's not simple and it's just if you want to know
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more, learn more. Right, Exactly. But so the idea of
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training professionals on the sensory perception of champagne and the, you
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know, I love this concept of picking the instruments out of the symphony. It's really
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great analogy. Does that fly in the face of
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what this generation that's coming in now thinks
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wine should be accessible to everybody and all. Whatever that. Whatever those
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things mean. Innovation, Whatever that means in the
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wine trade. Is it? Yeah, I don't think those things are
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incongruent at all. In fact, it's
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really, really important to me to teach
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what you were saying about making things
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specific and accessible and not oversimplifying to me, I
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like kind of to equate it to falling in love.
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Specializing your previous knowledge
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may or may not be useful. Yeah. Right. You really need to show
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up with is your curiosity
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and your willingness to. Your openness to
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discovering about that subject. Right. And
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through doing that, I always say you can specialize before you generalize if you
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are willing to be deeply curious and engage your. Your
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love. So I do feel
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that teaching complex subjects is not
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exclusionary. And the way that I do it, I think I have
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kind of a special approach to. That seems
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to be working and makes people feel really welcome. And so
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even when I'm teaching courses
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that are designed for high level
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speciality or designed really to teach
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people who are already in the wine trade, of course there are a lot of
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enthusiasts that end up in those spaces
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and I think that it's, and I have a
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way of welcoming them also. I really, really feel
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that it's important to me that everybody
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feels ready to show up as they are. And that means even when
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we're talking about complex subjects like champagne,
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the more that we can not oversimplify but
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demystify and come together, the more
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people can bring their authentic selves into that moment. And when
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that's invited, I think that everybody really
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benefits and people don't feel like they can approach
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really complex subjects. So to me, I don't really teach
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beginners, but as long as you've got kind of a
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basic understanding of, of Vinny Vidi as we call
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it, you know, winemaking and analogy on a, on a
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base level that allows you to enter into a certain subject,
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we can fly pretty high together. The consumer side of
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this, I mean, isn't this the allure of what wine is? And I,
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and I'm trying to get this, you know, my position on this, which is yes,
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wine is consumer oriented, we need consumers. But
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the allure of wine, the study of wine,
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the character of wine, the reason we, you know,
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crave a particular type of wine at dinner time is in
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itself the complexity and the story and, and
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that automatically leads you, if you're interested, to learn more
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about soil if you want, or trellising or the things that go
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into changing the, the expression of a wine. So
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I, I'm just having a hard time with what the general
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public perception of what wine is and where it needs to
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go versus the actuality of it, which hasn't changed
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for 12,000 years. It is still the same product. Right? I mean,
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hopefully those days, but it's so on the
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consumer side, how do you, what's, how are you received with
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this kind of teaching when you do this? Well, I
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think great. I mean to. One of the things is, you know, I've been in
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the industry for a lot of years and last time we did this we introduced
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me a little bit more but. And mentioned that I'm also a historian
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and taught wine history at college level for a decade and
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also have an online wine history that I course that I created that
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people can come to and find out about, just to
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mention that. But as far as consumers in the
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classroom, all that to say that over the last
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30 years, I have seen such a wonderful transformation in
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our industry from gatekeeping of knowledge on the
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part of, you know, snooty psalms to
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a world where consumers are savvy and self directed
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and professionals are expected to be trusted
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advisors and guides, as opposed to
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some kind of gods that have some information or some way of
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accessing the pleasure of wine that nobody else can touch. And
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I love that it expects more professionals because
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consumers are more
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deeply interested. And that also coincides with the rise of
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Eno tourism and this desire
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for people to have more intimate experiences with
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wine, which I love. So I hope
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that kind of answers your question, that I think that
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the enthusiast is. Oh, is. Has a really
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different place in the world than they had before. I think that
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serious enthusiasts 30 years ago that were learning about wine were
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usually wealthy people who had deep cellars
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and were more part of this
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elite access to wine. And I love that
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that's really, really changing. It's an important part of my work. You know, it's an
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interesting thought. You know, it's. It is. I suppose
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my dad got into. He was business, I mean, then he fell in love with
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it once, you know, he's a pharmacist by trade, counting pills, and all of a
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sudden there's a liquor store became part of his. His chain,
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a small chain he had. And wow, this was really fun. People. People
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aren't sick when they come in and complain. They come in and they go, hey,
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I'm looking for, you know, something really fun to do. Yeah. And so he
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started spending more time over there and he fell in love with the product and
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was quite knowledgeable and traveled the world and went to his classes.
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But I suppose you're right. I suppose we're
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casting a larger net to have people be
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interested in the product. And I have this romantic view that
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all generations come around at some point to have
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a curiosity about what it is, but it still doesn't answer the question, you
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know, is it simplifiable? And I don't. I don't
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believe that it is. But how much. How
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important is the story? You know, you talk about history and I had a conversation,
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you know, Chad Luddington, you know who he is? He's a.
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I think he's a master of wine. Maybe he's not. But anyway, he. I had
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a conversation yesterday and he was correcting himself, one of these historians, where
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he says, you know, in 1375. No, I'm sorry, 1350, you know,
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and I'm like, wow, I don't know. Sure. That I'm that granular with my wine
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history. I wonder if that sort of intimidates people
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into the subject versus just trying to learn why, you
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know, they, they relate to one glass rather than
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another. I think that this is an interesting
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subject to kind of weave into what we were talking about before,
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what people, the state of our industry, what,
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how our enthusiasm as professionals or consumers
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or wherever we're at in that continuum, why, why the story
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matters now maybe more than ever. And
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I was thinking as you were talking about how the rise
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of this savvy, curious, loving, if you
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will, consumer, right? If we're talking about curiosity being about
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love, coincides with, of course,
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our deepening access to information,
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right? The great equalizer of the Internet, you know, and, and
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technology. But also one of the things that that
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access has brought us as humans is a
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fracturization of our mentality, right? We're a million
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places at once. We're expected to be tracking all kinds
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of information and events that are happening in faraway
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places. And I just don't think that our nervous systems
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as a species are developing fast enough to take
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all of this. So we're anxious, we're all exhibiting
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tension issues. And this
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good thought. And so the wine, curiosity,
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wine is a hobby, can heal this mentality
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because it's a whole body experience. When we are
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engaging in the study of wine and the exploration of wine,
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we're using everything about ourselves. We're using our physicality, all of our
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senses, our front and back of our brain, right?
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The primitive memory part that's associating with, with our sense of smell
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and taste, our analytical aspect, our,
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you know, our social personalities, where it's
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really healthy behavior and it drops people
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into one place and time. And
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I think it's, I think this is why more
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people, young, young people are interested in this
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specificity. I think they're drinking less,
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they're engaging differently. And I think
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that this, that the story connects
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to this ability for us to be present
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with other people. And in a global world, that means
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other people in a vineyard on the other side of the world, maybe that we'll
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never meet, but we're still in one place, in one time, one
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terroir that made that wine, one culture, one person, one or a
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team of people. And here we are choosing it in our
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classroom or at our table to share with real
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people that are in front of us. And that to me is really great.
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And this kind of
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enthusiasm has a
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reciprocal effect because we are in conversation with the people
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and traditions who make wine Whether we ever talk to
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them simply by putting that wine into our
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bodies. That the smaller
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producers, the smaller appellations have never been
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such an exciting time to love wine. Because when people are interested in
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those stories and purchase
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those lesser known wines or appellations,
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the people who make them have financial incentive to
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elaborate better the truth of how to make the
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best wine in that place. And so I think there's a lot more out there
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to discover. For example, I'm, you know, one of my
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expertises is in Bourgogne wines. A subject that cannot be simplified. That,
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you know, that is endless. Right. And,
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and I really believe that you do not have to be a wealthy collector to
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love Bourgogne wines and to engage
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in the value system of terroir that, that
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Bourgogne wines has to offer, which is one place,
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one time, one, you know, the
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name of the vineyard, the Klima is the name of the wine. Right.
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That place. And so I think, you know, ranging
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from if you're in the Macon, you know, for
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example, you can have that experience of understanding that specificity
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for 25 bucks. You know, that's true. And,
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and some of those wines are now getting good enough so that they're, you can
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put them away for a little while and so that people who are not
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wildly wealthy can start to sell their things for a few years and
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see how they become more interesting.
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So that's. Stop it there for a second. That's a really good point.
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Particularly since the, the evolution of Bon wines,
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particularly entry level. And I think most of the consumers
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that go to the supermarket, you know, the entry level begonia wines that are, there
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are just not very good representations of what they could be at a price that's
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very palatable. I know we're talking about growing crew vineyards. You know, you can get,
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so you can get a nice burn rouge if you go to the right maker.
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But that's. Let me, let me back that up a little bit. Yeah, I
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think, was it Paul Meyer who tried to buy a
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property there and, and got this 12th century
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rule thrown at him and fell out of escrow. But his comment was basically
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all Enophi. Wine and collectors end up in Burgundy because
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of this complexity and this idea of terroir is so specific and
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important. Yeah, but I'm going to go back to the consumer for a
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second. You said something really interesting. The enthusiasm,
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particularly from an educator like you, who gets in front of a,
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a, a group and lights up. And whether it's a consumer group or
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a professional group, you can elude this. And I had
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to, I had to say something. There's. I think I mentioned before we
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started that I'm back on the little league field as the old guy, the
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grandpa, and I'm working with 7 year olds.
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And it hit me that the reason I'm successful there,
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and I say that tongue in cheek is because I am enthusiastic about
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it. I do love it. And why I would go out on
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my Saturday afternoon as a 66 year old on Tuesday night and
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Saturday afternoon and play baseball with a bunch of 7 year olds that have a
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hard time even understanding the game. And what they
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respond to is the enthusiasm I have because
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it's such a great game and I have so much fun playing it and
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teaching it. And I think that's really important on your
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side to stimulate, you know, the intellectual thought process
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of, of learning about wine. Because it is exciting. You
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can be. Or it can be completely droll and blah.
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Not the French word droll meaning funny. But yeah, the,
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the English version. Yeah. How do you do that? How are
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you instilling this enthusiasm is just passion,
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natural. Well, I love the
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word enthusiasm. It's a, it's a beautiful word.
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And I think that first of all, being
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accessible myself is important. I,
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I want to say, for example, I, I do a lot of mentorship. I love
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to mentor people in their wine path, professional and
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personal, to enjoying more and finding what their way towards
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their, their goals with wine. And I had a student who
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went through the WSET diploma with me and
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they were starting to teach and they were feeling nervous about showing up in a
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classroom having really smart people ask really hard questions that they might not know the
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answer to. And I said, listen, you know very well that none
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of us know the answers to every question. And so every
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teacher at the beginning goes through this anxiety that they're not going to be able
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to perform perfectly like you were saying, you know, get the exact right
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dates. And I said, when you don't know something in front
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of a classroom, it's this wonderful opportunity to make everybody else
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realize that you're human, that they're smart. Because
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in the room maybe somebody knows the answer or maybe collectively you can
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discover it. And so actually showing
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ourselves as, as real as
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teachers and engaging in the, in, in the value
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of our students I think really brings people out
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of a lot of the anxiety that historically is centered around
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wine, around wine generally, you know, that we're some. The
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person next to us knows more than us and is a better taster and all
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of this kind of B.S. you know, instead of
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kind of being open, curious and sharing our flaws and
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our, and our joyous, you know, discoveries.
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So I think that's really a part of it is seeing,
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is seeing myself as, as imperfect as an opportunity
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and always. Wine in a wine classroom
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is full of really smart people. You know, there are people,
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my students have PhDs. They have, you know, diverse educations
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in a multitude of subjects. They bring so much to the
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exploration of the sub. Of the subject that we're on hand. Even if
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I am the expert, I learned so much from them. So
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I think that attitude is really, really key
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to making people feel welcome and bringing people into their
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best exploration of a subject together. I think you're
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right. I think that does break down the barriers that you have a
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personal concern with their path to, to understand this and
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that, that, that tends to loosen up the
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environment a little bit. And you're, I think this, I hate to say it,
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I mean it works with 7 year olds and why wouldn't it work with adults?
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You just, you have a true compassion for their, for
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their outlook and their concern of what they're doing. How important do you think
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that is? You said something interesting. You said about, you know, the tasting and you
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know, there's some people that can sit in front of a row of wines, all
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cabernets from the same vintage, and talk about the, the,
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the appellation. Possibly,
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I, I possibly could do that. I mean I
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tasted a lot of wines, 100, 000 wines in my career. And I, but I
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have certain, you know, my outlook leading to this question.
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My outlook when I tasted those wines wasn't to do that. Yeah, I didn't
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blind taste. I sat there every Tuesday from 9 to 2 and tasted wines.
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But my job was to find the best value. So my
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skill set in this industry is tasting a wine and
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being able to position it from a price standpoint where it
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belongs, not, not necessarily where it's being sold at, but
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you know, where it would belong based on price, value, quality. Yes.
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I can dissect the wine. I can tell you about the structure. I can do
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all those things, but not everybody, not everybody can do that. Yeah, but
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many people can blind taste much better than I can. And I'm
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wondering where you think your skill set is in this
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industry of education and then how important do you think it really is to be
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able to say, well, I sense raspberries and blackberries and
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cocoa and you know, all those things and, and confuse people. Like,
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I love this question. And I think about it a lot, in
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fact, because I have a kind of. I have
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my own way of teaching tasting. I've taught
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all W set levels and also, you
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know, practice both systematic and deductive approaches and.
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And everything else. So I. I have had to teach lots of different tasting
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rationales in my experience as an educator. But
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I found myself a few years back realizing that I
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had allowed the propaganda to
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enter my head that from the movie Psalm,
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for example, you know, that these mostly guys are these
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gods with special skills that none of us have, including me, you
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know, and it's like. And that was. So I
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guess I want to kind of. I joined a group of.
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Of a tasting group of
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Psalm, deductive approach. And first of all, I
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realized that there was.
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How do I want to say this? I
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was so curious at this stage of my life how I still had something in
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my mind telling me that I couldn't do that. And it's really just, you
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know, it's not a trick, in fact, and I'm
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going to explain that. I don't want to get off too off track
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here. For me, I am really interested in
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understanding wines of origin, understanding what makes a wine
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uniquely itself. And so when I'm thinking about tasting
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rationales, that is what I am curious about, which is why I do teach
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tasting a little bit differently. And when I look at the systematic approach, the W
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said approach, for example, it helps us to understand the kind of
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structural components of wine, but it doesn't speak at all
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to the origin of wine or the meaning of the wine. And so if students
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think that that's the end way of tasting, then you're missing all the joy, all
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the enthusiasm, all the identity of a wine. All. Many of the
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greatest wines in the world, for example, are medium, medium
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plus, medium, medium plus. If you go to Bourgogne, all the greatest wines of
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Bourgogne, they're going to be medium, medium plus all along the line. How
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interesting is that? Not. Does it point to anything
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meaningful? No. Right. And so that
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is a stepping stone. Being able to understand the structural
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components of wine to being able to understand wine. They're not the same
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thing. And the deductive approach or the Psalm approach
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ends up looking a little mysterious, but it essentially
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gets a little bit more towards identity, but in a very technical kind of
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way that if you learn how to execute it and you
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also understand wines of origin,
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you can actually blind taste. And it's not that
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hard, in fact. And I
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loved exploring, demystifying that process
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as well. And then in the end, what I'm Interested in is
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transparently tasting for origin. So that means really
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understanding what the impacts of the different,
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of the various aspects of terroir are on the
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sensory experience. So, for example,
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elevation, soil type, climate, proximity to
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bodies of water, wind, you know, all of these things. And then how
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people respond to those environmental issues are essentially
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what terroir is. And so if we're really
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exploring one place, right, this is how I say specialized
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education is about, you know, is about intimacy, right?
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You're looking at one place, one
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wine, right, and understanding all of these elements and then
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translating them to the actual sensory experience so that people can
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start to taste and be like, oh, the quality of the
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acidity is like this. And I understand, you know, I know exactly where
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I am. That's probably not an easy thing for people to
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grasp onto originally. So I don't think that this is actually
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hard, you know, and that's. And I. And so there's a way that I like
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to approach this kind of
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teaching that is really
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about. About understanding the place
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itself. And I think once you just, you can go through that
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exploration, people start. It starts to make sense.
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If you, if you have a holistic picture in your teaching, instead of
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didactically going through, you know, some kind of
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linear or abstracted or
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separated, you know, exploration of the elements of
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what make a wine itself. If you look at it as a whole picture, people
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can engage with it, imagine it, and then the.
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And then it makes sense why wine tastes the way it is. Which is why
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I love to teach through.
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Through immersion. So I do lead
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immersive educational experiences in France,
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Italy and California. I've got one coming up in Sonoma. I'll
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be doing one in Champagne in May, Borgonia in
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September, around Lake Garda, also in
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October. And when I do that, it's not just
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taking people touring. I curate highly. The
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wineries we go to are not necessarily the most prestigious, but they are.
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Sometimes they are. Sometimes they're places that aren't open to the public that'll receive
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me and have that access. Definitely want to provide
456
00:27:56,930 --> 00:28:00,310
people with access, but curate the most
457
00:28:01,250 --> 00:28:05,034
complete learning experience of that place. Why
458
00:28:05,042 --> 00:28:08,810
do they come to you over all the millions of. Let's jump on that
459
00:28:08,850 --> 00:28:12,374
concept of vino tray Euro. Would you call
460
00:28:12,382 --> 00:28:15,862
it travel or travel? Because,
461
00:28:16,046 --> 00:28:19,830
and I'm going to say it with this premise, I do believe, and I,
462
00:28:19,870 --> 00:28:23,430
and I think has always been this way. It's just now becoming more obvious and
463
00:28:23,470 --> 00:28:27,290
more important that experiential changes,
464
00:28:27,630 --> 00:28:31,190
experiential episodes are what drive
465
00:28:31,350 --> 00:28:35,014
wine and what Keep people loyal to a brand. You
466
00:28:35,022 --> 00:28:38,546
know, they're. They're, they're going to reflect every time they see this.
467
00:28:38,718 --> 00:28:42,378
And, you know, things are happening in France in particular, where. Where
468
00:28:42,434 --> 00:28:46,282
wine tourism is becoming actually a thing. It never was. You couldn't go to
469
00:28:46,306 --> 00:28:50,058
a tasting room in Bordeaux until recently. Really? Yeah. And so
470
00:28:50,194 --> 00:28:53,514
why do they choose Tanya Morningstar's
471
00:28:53,562 --> 00:28:57,274
program over, you know, what was the name of the
472
00:28:57,442 --> 00:29:01,178
famous travel company in the 70s English group?
473
00:29:01,234 --> 00:29:04,710
Anyway? Why. Why do they do that? Well, I think that
474
00:29:05,700 --> 00:29:09,132
there's a lot of reasons. First of all, I only lead tours in places where
475
00:29:09,156 --> 00:29:12,956
I have really special access, so where I have deep
476
00:29:12,988 --> 00:29:16,604
relationships with the people who are culture
477
00:29:16,652 --> 00:29:20,124
makers and. Or preserving cultural
478
00:29:20,172 --> 00:29:23,836
heritage through their work. And I'm able to get those people
479
00:29:23,908 --> 00:29:26,988
to meet with us. For example, in Borgonia,
480
00:29:27,164 --> 00:29:30,524
we visit, you know, some places that don't receive
481
00:29:30,572 --> 00:29:33,942
guests. And in Champagne, that's also going to be the
482
00:29:33,966 --> 00:29:37,734
case that some places that don't receive
483
00:29:37,782 --> 00:29:41,222
guests will receive my students enthusiastically and give us a lot of time with the
484
00:29:41,246 --> 00:29:43,330
cellar master or the family.
485
00:29:44,750 --> 00:29:48,422
And, oh, in Borgonia, for example, the map maker Sylvan Pizzio had
486
00:29:48,446 --> 00:29:52,262
lunch with us, you know, and the president of the.
487
00:29:52,446 --> 00:29:55,910
Of the, you know, partnership with UNESCO for the preservation of the
488
00:29:55,950 --> 00:29:59,580
Klima, you know, invited us to his winery in
489
00:29:59,620 --> 00:30:03,340
Maurice St. Denis, and we tasted all the Klima. I like
490
00:30:03,380 --> 00:30:07,052
to do things. We went to La Flevre and met with
491
00:30:07,076 --> 00:30:10,652
Olivier and tasted all the wines. And then I filled my
492
00:30:10,676 --> 00:30:14,092
backpack with single Klima wines, and everyone took their glasses, and we
493
00:30:14,116 --> 00:30:17,836
walked from Pluni Morochet through
494
00:30:17,908 --> 00:30:21,564
Meursault, stopping in the Klima and tasting the wine.
495
00:30:21,692 --> 00:30:25,536
And then you really understand. You know, you've met the winemaker,
496
00:30:25,568 --> 00:30:28,816
you've seen the winery, but then we're walking through the vineyards,
497
00:30:29,008 --> 00:30:32,752
touching the soil, looking at the slope, tasting this one,
498
00:30:32,936 --> 00:30:36,720
understanding it, then moving on to the next. We know why they're different. And so.
499
00:30:36,760 --> 00:30:39,840
Let me stop you there. How do. How do. I mean, this is a very
500
00:30:39,880 --> 00:30:43,584
extraordinary trip. I mean, you're probably half of the words
501
00:30:43,632 --> 00:30:47,440
not understood by most people. So how
502
00:30:47,480 --> 00:30:50,998
do we get this to. To the consumer who's
503
00:30:51,094 --> 00:30:54,902
at home, you know, only sees that the
504
00:30:54,926 --> 00:30:58,774
supermarket, the entry level, Burgones, or Vuv Clicot
505
00:30:58,822 --> 00:31:02,646
for that matter. I gotta tell you my story. He. You obviously speak
506
00:31:02,678 --> 00:31:06,454
French to some extent, so there's a. I'm not gonna say who it
507
00:31:06,462 --> 00:31:09,750
is, but somebody named their spa in
508
00:31:09,790 --> 00:31:12,490
Napa Rendezvous
509
00:31:12,990 --> 00:31:16,820
Rendezvous. And I'm like, why would you do
510
00:31:16,860 --> 00:31:20,388
that? Since vuv means widow. Yeah. Yeah,
511
00:31:20,564 --> 00:31:24,388
that's funny. Anyway, so, yeah, I do speak French and
512
00:31:24,444 --> 00:31:28,132
Italian, and I think that's one of the things is that I don't take
513
00:31:28,156 --> 00:31:32,004
people places where I don't have intimate relationships
514
00:31:32,052 --> 00:31:35,732
with that I can share. Because all the people who travel with me, they
515
00:31:35,756 --> 00:31:39,220
are savvy travelers, they're super smart, they can organize their own trips, and they
516
00:31:39,260 --> 00:31:42,798
do, but this is different. Right. And so then your next
517
00:31:42,854 --> 00:31:46,270
question, how do we get that to the consumer. Make people feel
518
00:31:46,310 --> 00:31:50,062
that energy that you have, but they can't jump on
519
00:31:50,086 --> 00:31:53,742
a plane and go to Bourgogne or Champagne? Yeah, not everybody. I do have
520
00:31:53,766 --> 00:31:57,550
some projects. They're a little top secret, but I have a
521
00:31:57,590 --> 00:32:01,006
project to address this home experience for
522
00:32:01,078 --> 00:32:04,222
enthusiasts that can't get on a plane. But you'll have to wait for that and
523
00:32:04,246 --> 00:32:07,742
follow me. But I do think that teaching in the
524
00:32:07,766 --> 00:32:11,362
classroom, the way that I like to teach, almost gives people a
525
00:32:11,386 --> 00:32:14,390
relief, as if they've taken a little adventure
526
00:32:14,810 --> 00:32:17,874
and in the way that I teach
527
00:32:17,922 --> 00:32:21,234
holistically. But I think that
528
00:32:21,402 --> 00:32:24,994
this experience, a lot of people don't need. They don't
529
00:32:25,042 --> 00:32:28,690
want necessarily to know all of these things. And
530
00:32:28,730 --> 00:32:32,130
so when you have. When you have
531
00:32:32,170 --> 00:32:34,950
professionals who have had these experiences,
532
00:32:35,610 --> 00:32:39,004
they're the ones who. Who share that next, next
533
00:32:39,092 --> 00:32:42,876
step. There are enthusiasts who do want to take these trips, who are.
534
00:32:42,948 --> 00:32:46,480
Who want to deeply understand the landscape and the culture
535
00:32:47,300 --> 00:32:50,440
and how those things are and history and how they're tied in together.
536
00:32:50,740 --> 00:32:54,572
But not everybody can afford
537
00:32:54,636 --> 00:32:57,900
that or is ready for that. They may want to have that glass of wine
538
00:32:57,980 --> 00:33:01,356
and they want to understand something about it that brings them into the present moment,
539
00:33:01,388 --> 00:33:04,902
but they don't need everything. And so that's why
540
00:33:04,926 --> 00:33:08,630
training professionals, or sometimes guiding journalists or
541
00:33:08,670 --> 00:33:11,814
writers, which is another thing that I do, is so important
542
00:33:11,902 --> 00:33:14,966
because. Because then we bring home
543
00:33:15,118 --> 00:33:18,950
that. That whole experience, that
544
00:33:18,990 --> 00:33:22,822
deep understanding, that intimacy, and we can share it easily
545
00:33:22,966 --> 00:33:26,694
with a person. Even if we have an exchange of just a couple
546
00:33:26,742 --> 00:33:30,214
sentences, when that wine gets put into their hand, those are the appropriate
547
00:33:30,262 --> 00:33:34,110
sentences that spread spark that person's imagination so that they enjoy more.
548
00:33:35,690 --> 00:33:39,138
So there's a lot of levels of what we want to know, what we need
549
00:33:39,194 --> 00:33:42,390
to know to enjoy wine most fully.
550
00:33:43,530 --> 00:33:47,202
And I think there's a couple different kinds of wine. There's engineered
551
00:33:47,266 --> 00:33:50,830
wines that are delicious but don't tell a story of place
552
00:33:51,210 --> 00:33:54,562
and then which. That's fine. I don't. Not very interested in
553
00:33:54,586 --> 00:33:58,282
those myself. But formula wines, we call them. Yeah, but
554
00:33:58,306 --> 00:34:02,026
they could be delicious. You know, and. And then there's
555
00:34:02,058 --> 00:34:05,818
wines of origin. And with wines of origin,
556
00:34:05,994 --> 00:34:09,786
something about that connection is important, but it doesn't
557
00:34:09,818 --> 00:34:13,642
have. Nobody wants the Psalm who's like, telling you the
558
00:34:13,666 --> 00:34:17,514
whole story, and you're like, okay, okay. I really didn't need to, you know, I
559
00:34:17,522 --> 00:34:21,274
don't need to know all those things. But sometimes just giving a
560
00:34:21,282 --> 00:34:25,000
little bit of truth and bringing people
561
00:34:25,040 --> 00:34:28,664
into the specific moment is all that's required. Yesterday, I had a call
562
00:34:28,752 --> 00:34:32,500
with a doctor's group.
563
00:34:32,960 --> 00:34:36,776
You're probably aware of some of these. You know, the concierge medicine
564
00:34:36,808 --> 00:34:39,592
is becoming very popular, and this is sort of a holistic thing. And I really
565
00:34:39,616 --> 00:34:43,060
wanted to hear about it because I take that very seriously. Yeah. And
566
00:34:43,440 --> 00:34:47,192
when he saw the studio here in the background, first he says,
567
00:34:47,216 --> 00:34:49,944
I'm. I used to be a sound engineer, so he was really interested in what
568
00:34:49,952 --> 00:34:53,771
I was doing. And second, he says, you're in
569
00:34:53,795 --> 00:34:57,531
wine. He goes, I have this. And I found this
570
00:34:57,555 --> 00:35:00,731
very refreshing, and I don't hear it very often. And I have to tell my
571
00:35:00,755 --> 00:35:03,643
friends when we go to dinner, because we like to bring our own bottles, as
572
00:35:03,651 --> 00:35:06,699
you probably do. But I tell them, if we're going to go to Italian restaurant,
573
00:35:06,779 --> 00:35:10,523
don't. Do not bring, you know, duckhorn or silver oak or whatever,
574
00:35:10,571 --> 00:35:14,411
you know, basic Napa stuff. I said, we need to bring the wines of the
575
00:35:14,435 --> 00:35:18,206
origin of the. Of the food, and let's start sort of understanding
576
00:35:18,238 --> 00:35:21,934
that. And so this guy voluntarily said, look, I go to a restaurant, and if
577
00:35:21,942 --> 00:35:25,422
I'm in an Italian place, I ask for the list and I want
578
00:35:25,526 --> 00:35:28,750
the Psalms recommendation for the food that we're eating from
579
00:35:28,790 --> 00:35:32,510
Italy. Yeah. And, you know, and then. Then he quoted,
580
00:35:32,670 --> 00:35:36,414
what, you know, grows together, goes together. And I think that's a. That was
581
00:35:36,422 --> 00:35:40,030
such a refreshing start of a conversation for somebody that
582
00:35:40,070 --> 00:35:43,772
actually is seeking. And the point I was
583
00:35:43,796 --> 00:35:47,516
going to make was I thought by the time we had done
584
00:35:47,588 --> 00:35:51,132
chatting about his last experience at the Italian restaurant, that he had been to
585
00:35:51,156 --> 00:35:54,700
Barolo, he was talking about it as if, you know, he was
586
00:35:54,740 --> 00:35:58,476
walking the vineyards of the famed hill, you know,
587
00:35:58,548 --> 00:36:02,284
And I'm like, well, I was just there and blah, blah, blah. He goes, no,
588
00:36:02,292 --> 00:36:06,028
I've never been. And so his. His experience, his
589
00:36:06,084 --> 00:36:09,628
knowledge of Barolo had strictly come from eating at Italian
590
00:36:09,644 --> 00:36:13,012
restaurants, talking to the Somme, and drinking the wines of the region. And I go,
591
00:36:13,036 --> 00:36:16,868
wow, that's really powerful way to do it and not
592
00:36:16,924 --> 00:36:20,596
have to leave. You could do it at home, too, as well. But if you're
593
00:36:20,628 --> 00:36:24,292
disciplined enough to think that way. It's such a
594
00:36:24,316 --> 00:36:28,164
relief. It's why sometimes my. I remember one day I
595
00:36:28,172 --> 00:36:31,860
was studying, and my. My kids came into the. My.
596
00:36:31,900 --> 00:36:34,772
When my son came into the room, and he was like, why are you so
597
00:36:34,796 --> 00:36:38,220
happy? And I was like, I've just been, like, spent two
598
00:36:38,260 --> 00:36:42,040
hours in Provence in my mind, you know,
599
00:36:42,340 --> 00:36:45,640
and that makes me really happy, you know.
600
00:36:46,020 --> 00:36:49,612
So I think that, yes, we're talking about engaging our imagination,
601
00:36:49,756 --> 00:36:53,404
you know, through multisensory modalities. And that
602
00:36:53,492 --> 00:36:56,940
can be through tasting, reading, looking at maps,
603
00:36:57,020 --> 00:37:00,844
watching, you know, films or drone
604
00:37:00,892 --> 00:37:03,998
footage, which is incredible. Some regions have great drone footage.
605
00:37:04,164 --> 00:37:07,930
But I think that you said something that
606
00:37:07,970 --> 00:37:11,642
I wanted to pick up on, which was about your
607
00:37:11,666 --> 00:37:15,498
friend and what goes together, grows together. And although
608
00:37:15,594 --> 00:37:19,030
I think there's two ways to kind of approach that. One of the
609
00:37:19,490 --> 00:37:23,242
one way is to say another thing that I
610
00:37:23,266 --> 00:37:26,746
love. For example, thinking about champagne and how champagne is
611
00:37:26,818 --> 00:37:30,336
consumed all over the world, how it's important to all of us, right?
612
00:37:30,458 --> 00:37:34,212
For our best moments, we want to have champagne, even
613
00:37:34,236 --> 00:37:36,560
when there's other delicious wines that we could have
614
00:37:37,580 --> 00:37:41,300
that opening up to all of the cuisines that
615
00:37:41,340 --> 00:37:44,080
champagne can serve and all of the
616
00:37:44,780 --> 00:37:48,180
cultural sensory perspectives that the tasters and drinkers
617
00:37:48,260 --> 00:37:52,084
have. Cultural, sensory, right. And
618
00:37:52,092 --> 00:37:55,316
this brings us back to the idea of language and how we talk about wine.
619
00:37:55,428 --> 00:37:59,218
Because if we're going from a systematic or deductive or this
620
00:37:59,274 --> 00:38:02,658
formulaic tasting approach usually
621
00:38:02,754 --> 00:38:04,430
designed by British people,
622
00:38:06,090 --> 00:38:09,698
then it excludes huge, everybody else in the world
623
00:38:09,754 --> 00:38:13,234
with all their different smell, taste, and cultural
624
00:38:13,282 --> 00:38:17,106
experiences, right? So I love this idea
625
00:38:17,138 --> 00:38:20,594
of opening up wine to be an international
626
00:38:20,762 --> 00:38:24,100
ambassador of love and peace,
627
00:38:24,180 --> 00:38:27,988
essentially, you know, in a way, because we're sharing something with people from another
628
00:38:28,044 --> 00:38:31,428
part of the world. And then the other thing is to, you know, if you're
629
00:38:31,444 --> 00:38:35,140
thinking, what goes together, grows together. So thinking outside the box and welcoming other
630
00:38:35,180 --> 00:38:38,980
cultures into your sensory experience, right into that in a partnership is
631
00:38:39,020 --> 00:38:42,820
one thing. And then what goes together, grows together, falls into something that
632
00:38:42,860 --> 00:38:46,580
is really kind of my ballywick, which is what I was thinking about,
633
00:38:46,620 --> 00:38:49,972
you know, do you want to be called CEO? And essentially, I want to be
634
00:38:49,996 --> 00:38:52,440
called a preserver of cultural heritage
635
00:38:53,500 --> 00:38:57,100
because. Wow. I feel that what I do,
636
00:38:57,640 --> 00:39:00,140
I deeply invest in
637
00:39:00,520 --> 00:39:04,352
understanding why and how something is the way that
638
00:39:04,376 --> 00:39:08,096
it is. I research and become allies
639
00:39:08,208 --> 00:39:11,824
with the people who are progressing traditions, creating
640
00:39:11,872 --> 00:39:15,168
traditions, preserving traditions. I've worked with
641
00:39:15,224 --> 00:39:18,864
UNESCO, as I mentioned. And so
642
00:39:18,952 --> 00:39:22,612
when we think about what goes together, grows together, it is
643
00:39:22,636 --> 00:39:25,812
true that we could pair wines in a lot of different ways, but when you
644
00:39:25,836 --> 00:39:29,412
take that perspective, and this is why I teach a lot through food as
645
00:39:29,436 --> 00:39:33,028
well and highly curate those
646
00:39:33,084 --> 00:39:36,932
experiences. We're starting to understand how and why a wine is
647
00:39:36,956 --> 00:39:40,080
the way that it is, based on the other
648
00:39:40,460 --> 00:39:44,052
agricultural and cultural influences
649
00:39:44,116 --> 00:39:47,520
that co developed with the.
650
00:39:47,990 --> 00:39:51,662
With the identity of that wine as well. And so traveling through food
651
00:39:51,686 --> 00:39:55,294
and wine is in our imagination, whether it's in a
652
00:39:55,302 --> 00:39:59,022
restaurant or at home, really can bring us such
653
00:39:59,046 --> 00:40:02,718
an intimate experience as you described, that you could think someone had
654
00:40:02,854 --> 00:40:06,654
been there a bunch of times. That's what happened. Yeah. It's beautiful. It's an
655
00:40:06,662 --> 00:40:10,014
interesting thought. I just. It just hit me when I started studying
656
00:40:10,062 --> 00:40:13,870
French. My wife was 15 years now,
657
00:40:13,910 --> 00:40:16,942
she's been doing this charity for an Armenian group, and she raised a lot of
658
00:40:16,966 --> 00:40:20,578
money for doing this big event. My house gets consumed by
659
00:40:20,634 --> 00:40:24,482
women for like three weeks. And so I thought, you know, this is like the
660
00:40:24,506 --> 00:40:27,394
15th year. I said, you know, I can't deal with this anymore. So I'm just
661
00:40:27,402 --> 00:40:29,714
going to go in the room, I'm going to study French. My dad spoke French.
662
00:40:29,762 --> 00:40:33,250
I want to learn French. Yeah. And I started with the applications, you know,
663
00:40:33,290 --> 00:40:36,786
like Rosetta Stone and there's a couple other fluens, and.
664
00:40:36,938 --> 00:40:40,642
And I realized it's impossible. I don't care how smart you
665
00:40:40,666 --> 00:40:44,322
are, you. You cannot learn a language through one of those applications
666
00:40:44,386 --> 00:40:47,750
because it has nothing to do with the culture. It has nothing to do with
667
00:40:47,790 --> 00:40:51,334
understanding Napoleon. And Josephine has nothing to do with understanding Josephine
668
00:40:51,382 --> 00:40:55,126
Baker doesn't have anything to do with that. It's just this rote system
669
00:40:55,198 --> 00:40:58,902
that they think, you know, attacks your brain cells in a better
670
00:40:58,926 --> 00:41:02,710
way than the other guys. And until you decide that you're going
671
00:41:02,750 --> 00:41:06,262
to go to France or read about French or read about the
672
00:41:06,286 --> 00:41:09,974
revolution or read about whatever you want to read about. But understand the culture through
673
00:41:10,062 --> 00:41:13,876
the cultural heritage is when you start to grasp the concept
674
00:41:13,908 --> 00:41:17,160
of the language. Yeah. And the food and the wine.
675
00:41:17,820 --> 00:41:21,620
And I, I tell the story many times, but my
676
00:41:21,660 --> 00:41:25,412
mom was an incredible cook, and she traveled the world as part of,
677
00:41:25,516 --> 00:41:28,480
you know, her. The wine business as well.
678
00:41:29,580 --> 00:41:33,268
And it had been probably 50 years since I had
679
00:41:33,324 --> 00:41:36,996
smelled this quiche that she used to make, and it was in Paris.
680
00:41:37,188 --> 00:41:40,892
And my wife looked at me to when. When the food was delivered, and
681
00:41:40,916 --> 00:41:44,700
she goes, what's wrong with you? Because he's like, my face
682
00:41:44,740 --> 00:41:48,380
had just changed. And I said, I haven't smelled this for
683
00:41:48,420 --> 00:41:52,140
50 years. And I wanted to make this exact quiche. And that's how
684
00:41:52,180 --> 00:41:55,720
memorable wine can be for an experience.
685
00:41:56,020 --> 00:41:59,708
Food Obviously. And then cultural understanding is
686
00:41:59,764 --> 00:42:03,484
so critical to that. And I think that's a really great. Approach that
687
00:42:03,492 --> 00:42:07,100
you're taking to when you open yourself up. I'm always the one crying over my
688
00:42:07,140 --> 00:42:10,832
food or laughing uncontrollably or,
689
00:42:10,856 --> 00:42:14,480
you know, I think food is very emotional, and I'm not afraid to
690
00:42:14,600 --> 00:42:18,368
open myself to it because that's the joy. I do love
691
00:42:18,424 --> 00:42:21,980
to help encourage people to enjoy their food more.
692
00:42:22,280 --> 00:42:26,112
But on another subject of language, I'm always trying to
693
00:42:26,136 --> 00:42:29,872
come up with different learning modalities that can help
694
00:42:29,896 --> 00:42:33,536
people approach this level of intimacy. Because that's where
695
00:42:33,608 --> 00:42:36,382
real joy lies, right? Is knowing something
696
00:42:36,576 --> 00:42:40,322
closely. So I've come up with a new kind of workshop that
697
00:42:40,346 --> 00:42:44,130
I. I'm gonna be developing this year and
698
00:42:44,170 --> 00:42:47,426
offering, which is a integrative language,
699
00:42:47,618 --> 00:42:51,442
Food and wine Immersive day. So, for
700
00:42:51,466 --> 00:42:55,266
example, it's a way of learning French and Italian
701
00:42:55,298 --> 00:42:59,090
and Spanish so that
702
00:42:59,130 --> 00:43:02,556
we'll have, like, classroom time in the morning to learn
703
00:43:02,698 --> 00:43:06,264
actual vocabulary and grammar around wine and food.
704
00:43:06,432 --> 00:43:09,864
Then a long, long lunch that's curated
705
00:43:09,992 --> 00:43:13,768
where people are allowed to speak English, but that will be, you know,
706
00:43:13,824 --> 00:43:17,656
kind of integrating more vocabulary
707
00:43:17,688 --> 00:43:21,512
and language around the ingredients and service and all
708
00:43:21,536 --> 00:43:24,980
these things, but not in a. In a oppressive kind of way
709
00:43:25,280 --> 00:43:29,072
with little games, like, you know, having little cards that you can, you know,
710
00:43:29,096 --> 00:43:32,608
identify which one is the mushroom, you know. Or which is
711
00:43:32,744 --> 00:43:36,240
great. And then in the afternoon, kind of return to the classroom, but to
712
00:43:36,280 --> 00:43:39,300
flow through tastings, through eating.
713
00:43:40,360 --> 00:43:44,176
And in partnership with, you know, I speak
714
00:43:44,208 --> 00:43:47,952
these languages, but in partnership with people who are actually language teachers so that
715
00:43:47,976 --> 00:43:51,616
we can come together. And then at the end of the day,
716
00:43:51,768 --> 00:43:55,462
it can either just inspire people to enrich
717
00:43:55,526 --> 00:43:59,302
their language studies that they're engaged in so that they can travel, for
718
00:43:59,326 --> 00:44:03,094
example, or so that they can read
719
00:44:03,182 --> 00:44:06,870
better about wine and understand the,
720
00:44:06,910 --> 00:44:10,102
you know, the terms that are always in French, for example, are always in
721
00:44:10,206 --> 00:44:13,958
Italian. I think that's a great
722
00:44:14,094 --> 00:44:17,830
approach. Alliance Francaise does that. Basically, the events, you
723
00:44:17,870 --> 00:44:21,410
do them, but you're going to curate them yourself and.
724
00:44:22,060 --> 00:44:25,284
And produce it. I think that's just the way to do it. And I. And
725
00:44:25,292 --> 00:44:29,012
I'm making that analogy because wine would. A
726
00:44:29,036 --> 00:44:32,500
person's understanding of wine would benefit greatly also from
727
00:44:32,540 --> 00:44:36,068
understanding the culture. Like, for instance. And we're almost out of time here. But I.
728
00:44:36,124 --> 00:44:39,940
I'm a little jealous of the French protection
729
00:44:40,020 --> 00:44:43,300
of their regions for not only wine, but cheese and
730
00:44:43,340 --> 00:44:47,172
butter. And it was really interesting to me because when I bring
731
00:44:47,196 --> 00:44:50,992
that up with the French, just. Actually, I was talking to Florence Catiard the
732
00:44:51,016 --> 00:44:54,672
other day, they. They also look at the new world, the
733
00:44:54,696 --> 00:44:57,632
Napa side of things, like, hey, we can go to Napa, do whatever we want,
734
00:44:57,656 --> 00:45:00,784
which is what they did. Plant whatever we want. We can decide what we want
735
00:45:00,792 --> 00:45:03,776
to grow. We can make whatever we want to. We don't have to, you know,
736
00:45:03,848 --> 00:45:07,248
play by any rules. And I go, what? You know, the grass is always greener,
737
00:45:07,264 --> 00:45:11,060
I guess, when it comes to these kinds of things. But I think as Americans
738
00:45:11,480 --> 00:45:15,252
and as. As. As culturally, I'm not gonna say
739
00:45:15,276 --> 00:45:19,012
restricted. The American culture is because it's founded on freedom, but,
740
00:45:19,116 --> 00:45:22,756
you know, we don't seek those things. And here you are
741
00:45:22,828 --> 00:45:26,276
providing an opportunity for somebody that wants to learn those
742
00:45:26,428 --> 00:45:30,276
here, not having to travel. I think it's a great idea. Well, I
743
00:45:30,348 --> 00:45:34,100
do like to point out, historically speaking, that, you know, for example, about the new
744
00:45:34,140 --> 00:45:37,908
world, we as Americans often have this rigid idea that the old world
745
00:45:38,044 --> 00:45:41,884
is, you know, this historically rich, fixed place with, you
746
00:45:41,892 --> 00:45:45,692
know, culture that never changes, you know, and that the new
747
00:45:45,716 --> 00:45:49,132
world is all open. And actually, these things are not
748
00:45:49,236 --> 00:45:53,004
exactly true, and I have a lot to say about that. But one good example
749
00:45:53,052 --> 00:45:56,668
in Napa is that Cabernet Sauvignon was only first
750
00:45:56,724 --> 00:45:59,036
mentioned in the early
751
00:45:59,108 --> 00:46:02,892
mid-1700s. It's not a. It's not
752
00:46:02,916 --> 00:46:06,520
an ancient grape variety. Right. And
753
00:46:06,900 --> 00:46:10,294
so. So it's less than 100 years later, it appears
754
00:46:10,422 --> 00:46:14,262
in Napa. That's a profoundly
755
00:46:14,326 --> 00:46:18,102
historic. Yeah, it was mission, I think, partnership.
756
00:46:18,166 --> 00:46:21,910
That we have with Cabernet Sauvignon. So, you know, for example, when I take
757
00:46:21,950 --> 00:46:25,638
people to Napa and Sonoma and we visit the axis of KAB
758
00:46:25,734 --> 00:46:29,382
and, you know, these areas in Napa and Sonoma and
759
00:46:29,566 --> 00:46:33,126
potentially Lake county, you know, this is also
760
00:46:33,198 --> 00:46:36,812
a deeply rich history that can be explored.
761
00:46:36,876 --> 00:46:39,900
And I think it's interesting to look at ourselves and look at the old world
762
00:46:39,940 --> 00:46:43,180
differently, to look at the old world and recognize the
763
00:46:43,220 --> 00:46:46,876
innovation, tradition. Emile
764
00:46:46,908 --> 00:46:50,440
Paino, the kind of probably the very first wine consultant, said,
765
00:46:50,980 --> 00:46:54,732
tradition is experimentation that worked. And so
766
00:46:54,756 --> 00:46:58,300
there is no preserving tradition without being experimental and
767
00:46:58,340 --> 00:47:02,052
open. Right, right. And so traditions will die if you
768
00:47:02,076 --> 00:47:05,860
do not innovate them. And so I really like
769
00:47:05,900 --> 00:47:09,732
to open my mind to what that means as a
770
00:47:09,836 --> 00:47:13,508
American or, you know, for American wines and
771
00:47:13,564 --> 00:47:17,268
our traditions, which are real and for the old world,
772
00:47:17,324 --> 00:47:19,840
too. So I think. Is that on your website,
773
00:47:20,780 --> 00:47:24,628
tradition is. Is experimentation, Network, maybe. Yeah, I love to quote that.
774
00:47:24,684 --> 00:47:27,136
I feel like I've heard it, and I thought, well, I wouldn't have heard it
775
00:47:27,228 --> 00:47:30,536
otherwise. You know, it's Interesting, because when I was talking to
776
00:47:30,608 --> 00:47:34,328
Florence, I looked up Smith Lafitte and
777
00:47:34,384 --> 00:47:38,232
it had been founded like in 1379 or something like
778
00:47:38,256 --> 00:47:42,024
that. And here they bought the Louis Martini property,
779
00:47:42,152 --> 00:47:45,992
which was founded in, you know, 1885 or something. I thought,
780
00:47:46,016 --> 00:47:49,816
wow, there's a 500 year difference between the founding
781
00:47:49,848 --> 00:47:52,740
of their two wineries. But just as important
782
00:47:53,200 --> 00:47:56,920
culturally for them to create this
783
00:47:57,040 --> 00:48:00,584
tradition in. So I guess it can start any time.
784
00:48:00,672 --> 00:48:04,472
We are out of time. Okay. And we have plenty more to
785
00:48:04,496 --> 00:48:08,020
talk about. Yeah, we do. Fascinating conversation. And it's so
786
00:48:08,480 --> 00:48:12,200
inspiring to hear the things you're attacking to. To
787
00:48:12,240 --> 00:48:16,072
move the needle for the industry, for the consumer. It
788
00:48:16,096 --> 00:48:19,282
must light you up when you have somebody that you
789
00:48:19,386 --> 00:48:23,074
watch the light go on and go, wait a minute. It's
790
00:48:23,122 --> 00:48:26,722
the best. That's why I. That's what it's all about, actually,
791
00:48:26,826 --> 00:48:30,482
especially. And the reason. I'll just finish. But when I
792
00:48:30,506 --> 00:48:34,322
first led one of these wine tours, I kind of fell into it. And at
793
00:48:34,346 --> 00:48:38,194
the end of the week, more than one person in the group said it
794
00:48:38,202 --> 00:48:40,978
was the best week of their life. And this was the first time I'd ever
795
00:48:41,034 --> 00:48:44,732
done anything like this. And I thought, well, that's a vocation then. I mean,
796
00:48:44,756 --> 00:48:48,236
if I can give somebody that kind of joy and pleasure, then
797
00:48:48,308 --> 00:48:51,836
I. I must move towards that
798
00:48:51,988 --> 00:48:55,708
because, you know it. What's better in life
799
00:48:55,764 --> 00:48:58,880
than to. That's excellent for others to live more richly.
800
00:48:59,540 --> 00:49:02,988
Thanks for the time today. And we will definitely reconvene.
801
00:49:03,084 --> 00:49:04,180
Okay. We'll do.