One Of The First Five Wineries In Napa. Meet The Winemaking Team At Inglenook.

What up? wine enthusiasts! It's your host, Paul K, and welcome to another episode of Wine Talks with Paul Kay. Today, we're on a thrilling away game in the picturesque Napa Valley, home to some of the finest wineries in the world. Join me at the...
What up? wine enthusiasts! It's your host, Paul K, and welcome to another episode of Wine Talks with Paul Kay. Today, we're on a thrilling away game in the picturesque Napa Valley, home to some of the finest wineries in the world. Join me at the historic Inglewood Winery, where I sit down with the talented winemaker Jonathan Tyer and winery Director Enrique Herrero . It's a fascinating journey through the heart of California's wine country, exploring the rich history and ever-evolving art of winemaking. If you're passionate about wine or just starting your journey, this episode is packed with insights that you won't want to miss. Sit back, pour yourself a glass, and let's dive into the world of Inglewood.
What You'll Hear:
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The origins and historical significance of varietal wines in America.
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The influence of French winemaking on New World wineries.
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The shift in wine consumerism and the quest for authenticity.
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Inglewood's commitment to showcasing Rutherford's unique identity.
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The transformation in winemaking styles from the '80s and '90s to today.
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The decision-making process behind maintaining wine heritage at Inglewood.
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The role of heritage and identity in wine production.
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The balance of art and science in winemaking.
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The challenges and rewards of Napa Valley's diverse winemaking.
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The enduring importance of direct-to-consumer relationships in the wine industry.
In today's episode, we ventured into the illustrious Inglewood Winery, uncovering the intricate balance between tradition and innovation in winemaking. Enrique Herrero and Jonathan Tyer shared their perspectives on how New World wines continue to evolve, drawing from the deep roots of their heritage, embracing authentic expressions of place, and meeting the demands of modern consumerism. Amidst the challenges of changing consumer preferences and a competitive market, Inglewood stands firm in its dedication to crafting wines that not only reflect their unique terroir but also narrate the fascinating stories embedded in Napa Valley's rich soil. Cheers to a blend of history, art, and the future of New World wines!
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What I see in the history of the industry is that the Americans
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started with the concept of varietal wines in order to kind of try
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to get attention from the French. If you didn't make wine in
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France, it was not wine. And then when the reputation
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was building the new world, then now is the
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time for us here in California to build upon the
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site, sit back and grab a glass. It's
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Wine Talks with Paul K.
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Hey, welcome to Wine Talks with Paul Kay. And we are at an away game
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up in the Napa Valley. But to have a conversation with Enrique Herrero and
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Jonathan Tyer at Inglemook Winery is one of the most historic places
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in the Napa Valley. Hey, if you have something nice to say about what we're
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doing here at the podcast, go ahead and say it and give me a review
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and subscribe. If you have nothing nice to say, don't say it at all. But
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that's what keeps our egos going here in this industry. But I want to
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continue this conversation that we just jumped in on
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about the consumerism of wine and the way Cal
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California is moving. You know, it's so refreshing to
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hear that because some of the conversation on the Internet and
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the Facebook and all that social networking is, we've got to come to the
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consumer what they want. We have to produce things that.
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And let's face it, wine is consumer driven.
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And I'm going to highlight this by saying somebody posted on Facebook a
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conversation at Paris Wine and this guy had just
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sold 24 million bottles of peach flavored
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fermented grape juice. And I thought, okay,
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that's probably the quintessential opposite of what we're talking about right
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now. Yeah, no, no, no. And I believe that. And I'm sure that there is
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that in the market. What I think is
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happening, what I'm trying to emphasize is the position
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that as a farming product, because it's
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a production that come from farming and
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winemaking, it's farming. Yeah. You are in
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some way tied to the side where you produce. So you can
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produce. As long as you do make genuine wine,
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you produce what you can, you don't produce what you want.
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So much less you will be able to produce something
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that is coming from a consumer. Say, oh, I would like
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to have a wine that has all these features. Well, you produce
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what you can. To make it short, I always give the example
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of my son. It seems that the
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Coca Cola made in Mexico is preferred among youth
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cane sugar than the American wine than the American
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one. And they are able to
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differentiate Them. And for something that is so typified
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and so made as a Coca Cola,
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we are finding differences. Why do we want to make a
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Cabernet Sauvignon the same everywhere? I agree with you
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and I had this conversation yesterday at Cathiar,
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which is owned by a Bordeaux house and they're
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bringing this Bordelaise philosophy to the table
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here at Inglewinnock. You are trying to represent
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now the Rutherford or wherever your grapes are on. Is that.
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Yeah, it's all Rutherford. It's Rutherford Bench here.
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We've been here for about 150 years now and
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it's really trying to express the best of this
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site. And there's a lot of people in the
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valley who have moved towards this trend of picking a little bit
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earlier and really allowing the site to express itself through those
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wines. I'm glad
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because I think what happened in this 80s 90s was this
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movement toward this sort of monolithic,
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over extracted, juiced up Cabernet. And I, and I'm
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not going to throw any names out, you know, we're not trying to create any
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enemies here. But there's certainly a profile of what
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Napa has landed on. And it sounds like what
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England wants to do is move away to
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expressing what wine really should be. And
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I guess that. But that kind of means staying the course, right? That kind of
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means on your guys behalf you must continue to say this is
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what we're going to do. Because you're working five years out at least, right. To
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figure out what's going to be on the table at a minimum. Yeah. And
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so you have to be pretty diligent to what you're doing.
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Yeah. And you're right in the 90s. And we were part of that
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at some point we were proud to say, oh, it's
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115% new oak. Yeah. Right.
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So dripping with vanilla and SAP.
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And then you realize that. Yeah, it's so
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difficult to differentiate when everybody
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does the same. How are these, how does this happen? Like, is there
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a board? The winery is still owned by Francis Ford
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Coppola, as you mentioned. It's not as it's his flagship,
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it's what he wants to do. He creates, created this amazing brand. I actually
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bought the 1985
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or 87 claret in the club back, back
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in the day. But how, how are these
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decisions made? How do you do you sit as a group and say, look, we
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are going to stay the course. We are going to bring to the table
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what we think Engle Nook represents. It's I Mean, you were here when it
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happened. But it all came from Mr. Coppola. He wanted to
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make wines that he could enjoy with food again. And
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he felt the wines were going too far. And the pendulum
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had swung, especially in the Valley, too far, and really wanted to
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restrain it and brought in our director of winemaking, Philippe
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Pascal from Chateau Margaux. And so that happened in
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2011. Enrique's been here now just over 20 years.
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I've been over here just over 10 years. Wow. There's some. Quite some
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tenure right here. Philosophically, I
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mean, not just. Absolutely. No, no, that is true. You were.
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Jonathan was making an observation because we received wine, we
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become wine club members after 10 years. And he
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was looking at the roster of the people that were going to
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receive this wine and say, wow, we're 52 in this
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condition now, and we have 100 employees. Yeah, thereabouts.
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Yeah. Wow, that's a big winery. Yeah. More of the
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half of the staff here is 10
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years, or. Wow, that's pretty good. Yeah, we were, you know, at the Wine of
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the Month club, I. My warehouse guy was 25
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years. The other guy was like 15
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years. And that's a very important part
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of business, is to be able to maintain a happy
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staff, to get the consistency in what you're doing. And
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nobody brings a new philosophy to the table. Accident, you know, not accidentally,
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but, you know, ad hoc. And then you have to deal with that. But here
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you have a group of people that have. Under the same banner for a long
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time. I mean, I'm assuming this dust behind you is
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part of that same history. Absolutely.
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I swear, it almost looked like you placed it there, but I get it. It
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reminds me of Portugal when you go down to the cellars of the Portuguese
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wineries. So when you come from Argentina, and that's. When did you
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come from. To Argentina? I came here in 1997
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because I was pursuing a degree in
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agronomy, a master's degree in agronomy. So I came
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here, and Davis at the time, well, and still
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was pretty much the, you know, the tip
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of the arrow in terms of evolution
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of science applied to plants and
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crops. And so that's why I came here in
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1987. So I started working here in
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2007, went back to Argentina because I need to
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renew my visa. It was with a student
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visa. And then the winery offered me to come back
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again. So two years later, in 2007. So
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I worked here 2003 to 2005, back
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to Argentina, and came back at the end of 2007 and ever
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since then. And so you consider
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Argentina, South America, the United States, all considered
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New World in a sense. Did you bring
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that philosophy with you from. Were you making wine in Argentina?
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Yes, yes. And actually I grew up in a vineyard
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and it has.
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The consumption profile in Argentina is a little bit different. We
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are pretty much descendant of people from the
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southern part of Europe. So we are
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wine consumer by default. So it's not
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like a fancy thing for us, but everyday thing. I
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remember having wine and water when I was
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probably 8 years old at the table.
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So in my case, my family was producing
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bulk wines, kind of what you consider low quality wines, but it's
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for everyday consumption. So there
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are differences in that aspect. But the
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concept of New Worldly was dumped on us, you know,
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in Australia, the US but by whoever considered themselves to
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be in the old world. So the name, we got
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that name from them. That's true.
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So you are New World. Yeah, you're new, like meaning.
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But I think that there are, if you look at the world map,
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there are areas between, I don't know, 33
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north, where you can grow grapes
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with really good aptitude to make good
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wines and like music. Every country can have their
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wine. There is no better or worse, but it's just
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something that is coming from them. In California, there is,
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I don't know, a signature
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to the wines in California that is different. And we have to accept
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that it's different from many. I think that's
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the premise and like I said,
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the reason wine has been around for 6,000 years and probably
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will continue at least 6,000 years and probably will continue
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with its same attraction to the human
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soul, because it does represent
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something from the soil. I mean, it is. I haven't been able to pin
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this conversation down or this articulate this feeling.
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And it's different than any other product in the world that way.
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Nothing makes you feel like a glass of wine. I'm not talking about the alcohol
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though. That is. No, no, it doesn't hurt. But it has this
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deep rooted human impact on the
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psyche. Yeah. I think the sense of identity is what we
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find in wine that probably we don't find in other
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product. Probably there are some other things I don't know. That's well said.
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But the sense of identity that is kind of linked.
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Yeah, I think that's the new world, essentially the
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winemaker and you. Would you. When you hear a New World, does that
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bother you to call it New World? Does it represent a style? What does it
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represent to you? It's for me it's just realizing we
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don't have the history that Europe does. Right.
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You know, the hundreds or thousands of years of
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winemaking. It's only been here for a few
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hundred years. And I mean, we're one of the oldest
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wineries in the valley and we're about 150 years old. Yeah. Which is
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amazing. Let's see. I was talking when I was at
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Cathy Art. It was.
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It was Martini's place for a little while, and I think
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it started in 1885. When did Inglenook start? 1879.
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Okay. So a little predates that. But they also owned
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Smith, Smith o
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Lafitte, which was founded in 1385. And I go, wow,
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the 500 year difference between the two foundings. I certainly. You can learn
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something because I have this. Correct me if you think I'm wrong or you have
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a different idea, but all that history
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rolls up to. I mean, you sit in these meetings, you sit in this room
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with this dust, and you sit with Enrique and you have these conversations
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and what you. I think impulsively, you
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carry that into the bottle. You can't define it as a piece of
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tannic acid or a fruit character, but the lessons you've learned
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along the way end up in the bottle.
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Yeah, absolutely. No, go ahead. And
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it's also. It's lessons you're learning along the way and then
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always trying to improve. You can't
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get complacent in what you're doing, and you always want to
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make the best product possible. And so that. And
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that's. Therein lies the rep. What does that mean? Well, going back
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to that, I think that you get it very
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correctly, is the lesson learned that for me is
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the true meaning of heritage. Because otherwise heritage becomes
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something so abstract that you don't know what that
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means. Yeah, you're right. But because we're
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transmitting knowledge from
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one generation to another, being in the same place,
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trying to know the. And we still think that we don't know
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our place. Yeah, no, right. I know you're. You never. This industry
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is great in that way. You never stop learning right now because. The more
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you learn, the less secure you are.
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Yes, right. That's true. Bless you, Noah. I don't know that much. Right.
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But as Jonathan said, this is just is
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conveyance of learning over generations.
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How long have you been doing this? I'm sorry, go ahead. No, no, that. That
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is what comes to me as the most
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defining meaning of heritage. Otherwise it's kind
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of a blur thing that I wouldn't know how to define. And before I get
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to that question, I was going to ask you there. Part of
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this conversation that I like to have these, to have
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with folks like you is. Comes from a woman in
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Bordeaux. Her name is May Elian Long song. She was 15
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when the Nazis came into her parents chateau at Pesche to
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Pichon Longueville and literally shot it up.
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And I had, actually, I was down the street at
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Barono, the hotel, and
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her grandson called me and said, if you want to talk to my grandmother, she's
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available in an hour in Paris time. So I
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got on my computer and got her on the, on the call, and she just
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told stories for 45 minutes. But I kept thinking,
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how is that not in the bottle today? How is those,
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the, the, the drama
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and the history and the stress
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that in the lessons learned by those folks in the vineyard aren't
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in the bottle today? They must be, because
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that's part of their history. So you've been doing this 10 years
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here, and what brought you to this
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place? Honestly, I was really
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excited to work with Philippe Pascal, our director of winemaking.
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He came from Chateau Margaux to come here, and I wanted to
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learn from him, to kind of take that next step in my career. And
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it's really become a home for me now.
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It's kind of interesting because there's a guy in town, Chris Phelps, he worked at
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Margot, he worked at Petrus, he's got his own brand.
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But we're bringing these guys from, from Bordeaux. We're not making much
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Pinot here. Do we make Pinot? No. Yeah. So we're bringing
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Bordeaux winemakers. I guess that goes back to our old world versus new
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world. And I think for the old world, if you're going to talk about a
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geography, you know, I guess you can define it as a style
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too. It's sort of that musty old style. But I think you really want to
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just look at it as, as location in some cases. In those
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cases, like Margaux or Pesic Leon
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or San, they're bound by the
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rules of the Appalachian. And I think that's part of the definition
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of old world Argentina. No rules. No rules. You want to grow, you know,
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Torontes and Salta, go ahead. Right. If you want to grow Pinot Noir in Patagonia,
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you know, that's what you get to do. But you're bound in
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those parts of the world. What would be considered old world?
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Does the director of winemaking have this sort of
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freedom here that he gets to do?
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I would say he's a lot more Freedom here.
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We. Especially when we're blending for our premier wine, Rubicon,
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we're tasting everything blind, and we've got all the Bordeaux
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varieties in there, and we're not making
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decisions based off variety. We're making decisions based off
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what is the best wines of that vintage that will make blend.
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So you all get together Blind Taste 5,
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the five border varietals, all the. Different parcels off
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the property. So we don't have Malbec on. On site here, but we
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have the other four, and that's not good for him.
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He's a Malbec. I know it's very offensive.
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But it's. It's always about figuring out what's the best expression of that vintage.
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Yes. You know, let me test your.
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Your brain a little bit, because I brought this up the other day with a
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French winemaker, and I said, you know, there's really no bad vintages, because
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by our definition, if. If it. A wine expresses
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that time in that place, then it's accurate. As long as, you
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know, you did the best you could to blend it and come out with the
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best result, then, yeah, some
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wines may taste better than others to certain people, but by
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definition, there's no bad vintage if it's properly made. I'm glad that
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we're recording this, because this is the best explanation I
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have heard from, you know, being criticized
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that every vintage is the best. Yeah, right. You know, when critics say, oh, you
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always say the same, but actually, what you just said is really good.
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This is Jeff. Because we try to make the best of what we
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have for the vintage, and that is kind of a justification
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to say yes. I think that's what we're doing. Yeah. And who's to say that,
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you know, like the 89, for instance, here in Napa was
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a harsh, tough vintage, and many of them didn't even Release.
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And the 90 was such a luscious vintage, and they released
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them, I made a fortune, quote, unquote. I don't say
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fortune on the 89s, because they came around eventually. Oh, yeah. And
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they were great. And of course, you can't release the 89 after the 90s already
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on the shelf, or even the 91. So, you know, there's all this 89 in
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bottle that had done a great job of softening, and there were some
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really good wines that came out of that. So. And again, it kind of flies
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in the face of a bad vintage versus a good vintage, but really, I
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think defined by if you're making an honest glass of wine, that's my
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latest term meaning not played with. No,
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no, I agree with that. It's very
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tricky to say, I'm not going to make my best wine
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this year. Yeah, right. That's a good point. And the other thing is
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that when confronted to that situation,
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how many are we deciding? How much our
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blend? Seven of us. Seven of us, more or less. Yeah. And
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when you think that, let's hypothetically, we might have, I don't know,
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5,000 consumers of Rubicon. So seven people are
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deciding that they will not have our wine. Wow.
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A little bit too much.
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So why don't we do our best job and
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then decide them to, I don't know, to judge it.
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So you have how many different
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varieties are you bottling? Yeah, Varietals
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on site? There's 13. And so this Inglenook has
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13 different labels on the shelf? No, we
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have five different wines that make. So we have two
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Cabernet Sauvignon driven wines. We have Rubicon, which is our premier wine, and then also
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a Cabernet Sauvignon. And then we have our
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other red is RC Syrah
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for Mr. Coppola's son, Roman. Okay. And
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then we have two whites. We have a Sauvignon Blanc, which we also add some
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Semillon into. And then we have a RN white
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blend of Marsan, Rousson and Viognier. Wow, that's quite a
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diversity in varietals. It is, yeah.
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Yeah. That's pretty interesting. And I mean, my wife won't drink
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Syrah as much as I've tried to trick her into drinking something
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that was made from Syrah that hopefully she wouldn't notice. But
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she 90% of the time catches me. She's a Bordeaux woman.
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That's all she likes to drink. And Pinot. She likes Pinot. But how are those
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received by the public? The Syrahs and the Rousseau Marsan, I mean, those are
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unusual. Is it club member type thing or is
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it broad market? The Syrah now is wine club
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only. Just because productions dropped over the past few years, we've had to do some
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vineyard replants. But the Marsan Rousseau vignette,
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we do the majority direct to consumer, and then a chunk
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of it is able to go out through distribution in the US And a little
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bit throughout the world. I have to tell you, when I took over my dad's
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company, I actually bought it from him. He'll tell you that I bought it for
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a dollar. It's not true. I have the contract.
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So he passed away a couple years ago. But
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I found the contract. That's why I said that
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I was going through the handoff documents that he gave me, which was the P
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and L from the company at the time. And we had about Maybe we had
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900 members or a thousand members, something like that.
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And the competition, which
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there was no third party competition. One of the month Club was the only sort
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of independent company featuring wines. All the rest, there were
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five were winery and England Oak was one of them.
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It was like Martini.
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I could find the document, but there was five and those. That was the
365
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competition, so to speak, which I never really considered winery based clubs
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competition because people join your club because they come here, they experience
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the wines and every time they get that package they go, oh, I remember that
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day we were, you know, talking to Enrique and
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Jonathan. It's very important part of our industry today.
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How, how has the DTC side supported what you
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guys are doing? It's the backbone to it. It's
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really building those relationships with those customers and, and having those
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longtime wine club members. We've got a whole section of our
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wine club that's been with us for over 20 years. Wow, that's
375
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amazing. My average tenure, which
376
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was really good for an independent club was two, two years. But
377
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when I sold the club in 19 two years ago,
378
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I did find people, you know, that were around from the early 80s that
379
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were still buying. And there's just a, you know, a reliance and a.
380
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Really for you folks, it's a, a trust
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built between you and what you're producing and what
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these people can tell the stories. And here's my problem with today's
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industry. The Internet is, you know, it's there obviously it
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was not going anywhere, but it's created bargain hunters and
385
00:23:46,932 --> 00:23:50,348
Groupon created bargain hunters. It clobbered my business in the beginning because
386
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Groupon, everybody's just looking for a deal. And I think
387
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I'd never been to this location, driving up the driveway. The whole experience
388
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is the experience. And I think that's critical
389
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to today's industry. Not just Inglenook, but for
390
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us to grow as an industry is to develop these experiences.
391
00:24:09,830 --> 00:24:13,334
Yeah, yeah. You create loyalty by offering
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things or by. Yeah, by
393
00:24:17,230 --> 00:24:20,854
having things that consumer can find
394
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that they will feel linked
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to the place, to the, through the
396
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experiences. For me, you were
397
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saying something before about the history and how it's not in the bottle.
398
00:24:36,040 --> 00:24:39,200
We say here that, well, depending on the vintage, but
399
00:24:39,240 --> 00:24:43,040
sometimes a good percentage of the wine is
400
00:24:43,080 --> 00:24:46,432
outside the bottle. That's right. With the attached
401
00:24:46,496 --> 00:24:50,048
history, whatever happened in that vintage with
402
00:24:50,104 --> 00:24:53,520
the Heritage, as defined as previously we
403
00:24:53,560 --> 00:24:57,242
said that we have here. So is part of
404
00:24:57,266 --> 00:25:00,922
that outside part of the wine is that experience that you
405
00:25:00,946 --> 00:25:04,570
have when you come here and there is like a
406
00:25:04,610 --> 00:25:08,442
loop of people that. Let's say we start with
407
00:25:08,466 --> 00:25:12,218
a member here that goes out and talk
408
00:25:12,274 --> 00:25:15,962
about us, and then somebody else go to the market,
409
00:25:16,066 --> 00:25:19,642
buys the wine, and then he wants to visit here and becomes also a
410
00:25:19,666 --> 00:25:22,640
member. So there is a. I would say,
411
00:25:23,420 --> 00:25:27,156
retrofitting of. You're exactly right. Yeah, yeah.
412
00:25:27,268 --> 00:25:30,724
Which is really useful and
413
00:25:30,812 --> 00:25:34,068
healthy. You put on events for the club members,
414
00:25:34,124 --> 00:25:37,892
obviously. Absolutely. They come and experience the same
415
00:25:37,916 --> 00:25:41,668
people come every time. Or do you have, like. There's honestly a chunk
416
00:25:41,684 --> 00:25:45,348
of people who come every single time or to a majority of events. And
417
00:25:45,404 --> 00:25:48,948
then there's lots of other club members that come when they're in town or it's
418
00:25:48,964 --> 00:25:52,532
always fun to meet new wine club members that signed up and then that's their
419
00:25:52,556 --> 00:25:56,256
first event. And trying to build those relationships and
420
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really try to secure them. As an advocate for the winery
421
00:26:00,032 --> 00:26:03,680
for. The future, I think it's a critical
422
00:26:03,760 --> 00:26:07,552
part of where wine is in the world today. We know that
423
00:26:07,576 --> 00:26:11,232
consumption is down. We know that the Gen Zs are being bombarded with
424
00:26:11,256 --> 00:26:14,900
flavored drinks and White Claw, which. I don't know how you drink that stuff.
425
00:26:15,480 --> 00:26:19,328
And non alk is becoming a thing. I don't think it's
426
00:26:19,344 --> 00:26:23,024
a real thing necessarily, but I went to the fancy food show in
427
00:26:23,032 --> 00:26:26,364
Vegas a couple years ago. We used to go every year in San Francisco.
428
00:26:26,492 --> 00:26:30,160
And the preeminent theme
429
00:26:30,500 --> 00:26:33,760
of beverage that year was non alk
430
00:26:34,580 --> 00:26:38,044
and non alk Prosecco, non alk champagne, non alk
431
00:26:38,092 --> 00:26:41,820
whatever. And then non alk distilled spirits. And I thought, oh, my God, this is
432
00:26:41,860 --> 00:26:45,308
horrible. It was undrinkable. I mean, how do you drink it? Why do you drink
433
00:26:45,324 --> 00:26:49,036
it right when you can have an ice glass of wine? But
434
00:26:49,108 --> 00:26:52,732
we're against those pressures. There's a lot of pressure on the marketplace right
435
00:26:52,756 --> 00:26:56,512
now to that. And I think, and
436
00:26:56,536 --> 00:27:00,240
I say this all the time, is probably to the consumers. I say it
437
00:27:00,280 --> 00:27:03,792
not too much, but, you know, the story can't be when I'm at
438
00:27:03,816 --> 00:27:07,140
dinner. I got this for five bucks on the Internet.
439
00:27:07,480 --> 00:27:11,152
Is that a story? No, But I went to Engle Nook and I
440
00:27:11,176 --> 00:27:14,752
sat and I sat with Ryan and Enrique, I mean, Jonathan, Enrique,
441
00:27:14,896 --> 00:27:18,576
and they told me the stories of Francis Ford
442
00:27:18,608 --> 00:27:22,224
Coppola. And we walked the vineyard and we looked inside the barrel room and
443
00:27:22,312 --> 00:27:25,790
we did all those things. And it's kind of an escape.
444
00:27:26,450 --> 00:27:30,122
Every Time you get that package, you open up the box, you see the label
445
00:27:30,186 --> 00:27:33,850
and you kind of drift away. You connect again with
446
00:27:33,890 --> 00:27:37,610
that experience. Yeah, absolutely. And sorry for going
447
00:27:37,650 --> 00:27:41,050
back down. No, please do the conversation. But I don't know,
448
00:27:41,090 --> 00:27:44,778
Jonathan, if it happens to you talking about the loyalty of
449
00:27:44,834 --> 00:27:48,458
some of the wine club members that they start talking to you about
450
00:27:48,514 --> 00:27:52,338
people that you never. So in the winery. Because they were.
451
00:27:52,474 --> 00:27:54,950
They have more seniority than ourselves. Yes.
452
00:27:56,970 --> 00:28:00,674
That's interesting. So people that aren't here anymore, that. Yeah.
453
00:28:00,722 --> 00:28:04,258
So we're learning from them. Yeah. Oh, I remember when he was this.
454
00:28:04,394 --> 00:28:08,066
Oh, never heard about that. So Gustav Niebaum,
455
00:28:08,258 --> 00:28:12,034
right. Was he the founder. He founded in 1879. He was a Finnish
456
00:28:12,082 --> 00:28:15,874
sea captain. Really? Yep. You know, that's interesting to me
457
00:28:15,882 --> 00:28:18,740
about Napa's history. So much
458
00:28:19,120 --> 00:28:22,792
immigration, almost all immigration right at that point. Now we have
459
00:28:22,816 --> 00:28:26,020
Argentina, but we had Finnish, we had Swiss, we had.
460
00:28:26,960 --> 00:28:30,632
The Christian Brothers were already here. But I mean, that's a pretty interesting part of
461
00:28:30,656 --> 00:28:33,580
this, the history of the valley. Oh, absolutely.
462
00:28:34,400 --> 00:28:38,152
He made his money selling furs
463
00:28:38,216 --> 00:28:41,880
from Alaska and then he made probably about
464
00:28:41,920 --> 00:28:45,544
$10 million at the time. So today that's ungodly sum of
465
00:28:45,552 --> 00:28:49,032
money. Yeah. And really could have bought any chateau in the
466
00:28:49,056 --> 00:28:52,904
world and decided to start one here because he thought it
467
00:28:52,912 --> 00:28:56,380
was the best terroir that he could find. As a Finnish
468
00:28:57,040 --> 00:29:00,680
fur trader. Fur trader, yeah. He had loved wine. Was.
469
00:29:00,720 --> 00:29:04,408
It was. Had to be one of the first. We were,
470
00:29:04,464 --> 00:29:07,260
I think, the fourth oldest winery in the valley. Yeah.
471
00:29:08,960 --> 00:29:12,380
I find that interesting and fascinating that the immigration,
472
00:29:12,850 --> 00:29:16,106
particularly in today's political environment that how important
473
00:29:16,258 --> 00:29:20,074
immigrants to America and just founding our industry alone,
474
00:29:20,122 --> 00:29:22,830
let alone many other industries. My father was an immigrant
475
00:29:23,490 --> 00:29:27,034
to facilitate the wine. I
476
00:29:27,042 --> 00:29:29,110
mean, it's incredible. Really.
477
00:29:32,850 --> 00:29:35,914
I would like that. That's why I do this is to tell those kinds of
478
00:29:35,922 --> 00:29:39,230
stories, to figure out that there's so much impact. And
479
00:29:39,270 --> 00:29:42,958
California is a special case of immigration because
480
00:29:43,014 --> 00:29:46,370
even many Americans are immigrant into California.
481
00:29:47,190 --> 00:29:50,974
I mean, really. My dad was from Cairo and, you
482
00:29:50,982 --> 00:29:54,750
know, started, you know, created the direct consumer wine business in
483
00:29:54,790 --> 00:29:58,302
America. It was. He was the first and still own the. I don't own that.
484
00:29:58,326 --> 00:30:01,086
I sold the name, actually. But the Wine of the Month Club was a trademark
485
00:30:01,198 --> 00:30:04,868
name of ours. And you know, the funny thing is we.
486
00:30:04,974 --> 00:30:08,680
The premise of it in 1972 that I carried through all
487
00:30:08,720 --> 00:30:12,100
my career and I kind of sold it for two reasons. One was,
488
00:30:12,640 --> 00:30:16,020
you know, the industry is getting very tough. I'd done it for 35 years. And,
489
00:30:16,320 --> 00:30:20,152
you know, we had other things to do at this point. And the economies of
490
00:30:20,176 --> 00:30:23,976
scale are growing down because it took a social networker, a digital
491
00:30:24,048 --> 00:30:27,480
designer on staff, videographer. All that became
492
00:30:27,560 --> 00:30:31,192
overhead. But more importantly was I
493
00:30:31,216 --> 00:30:35,032
wasn't finding the stuff that we used to find. There weren't the
494
00:30:35,056 --> 00:30:38,728
overstocks of interesting wines. Let's just face it. I
495
00:30:38,784 --> 00:30:42,440
faced the 10 year old charbono, which is incredible in the bottle at the time.
496
00:30:42,480 --> 00:30:46,104
But you know, I would find those kinds of wines at the price I could
497
00:30:46,112 --> 00:30:49,544
afford to show customers. And those weren't happening. We were getting,
498
00:30:49,712 --> 00:30:53,544
you know, 50 cent a liter white from Spain,
499
00:30:53,592 --> 00:30:57,272
in the middle of Spain from Valencia, that was shipped over here
500
00:30:57,296 --> 00:31:01,012
in 20,000, literally vinyl bladders, you know, and that's what
501
00:31:01,036 --> 00:31:04,580
we were getting for the same price. And I didn't want to show
502
00:31:04,620 --> 00:31:08,100
that. I didn't want to show wines like that. That wasn't why I had started
503
00:31:08,140 --> 00:31:11,780
this and fell in love with the industry. Did you, did
504
00:31:11,820 --> 00:31:13,960
you fall in love with winemaking
505
00:31:16,700 --> 00:31:20,036
when you started or did it take a little bit of time to
506
00:31:20,188 --> 00:31:23,812
realize this is really it? Actually I come
507
00:31:23,836 --> 00:31:27,368
from a complete non winemaking background. I grew up outside of Boston
508
00:31:27,444 --> 00:31:30,700
and not really known for the wines out there. Yeah, right.
509
00:31:31,080 --> 00:31:34,688
But my grandfather was an old world Italian and made
510
00:31:34,744 --> 00:31:38,340
wine in the basement. So I grew up helping him make wine.
511
00:31:38,760 --> 00:31:42,176
And then he passed away right before I was about to graduate
512
00:31:42,208 --> 00:31:45,952
college and decided to keep the family tradition going. And
513
00:31:45,976 --> 00:31:49,712
I fell in love with it and really wasn't as enthused with my
514
00:31:49,736 --> 00:31:53,290
day job at that time. Yeah, that's what happens.
515
00:31:53,480 --> 00:31:56,822
Was it corporate America? It was, it was. I was working in tech at the
516
00:31:56,846 --> 00:32:00,422
time. I was a entry level programmer. And so I moved out to
517
00:32:00,446 --> 00:32:03,990
California about 20 years ago now, worked my first
518
00:32:04,030 --> 00:32:07,766
harvest and haven't looked back. And that was it. Yeah. And
519
00:32:07,838 --> 00:32:11,558
you, you want to have a brand one day? I do not, you know. No.
520
00:32:11,614 --> 00:32:14,742
You don't have to market it, sell it. You like these out of it. I
521
00:32:14,766 --> 00:32:18,214
love to make wine and talk about wine. I just don't want to
522
00:32:18,222 --> 00:32:21,884
be having to hold up to the sales part of
523
00:32:21,892 --> 00:32:25,068
it. Yes. I think that's what happens when people,
524
00:32:25,124 --> 00:32:28,956
particularly you make your money as a surgeon or you're a government
525
00:32:29,028 --> 00:32:32,348
contractor building freeways and you go, I'm going to go to Napa Valley and I'm
526
00:32:32,364 --> 00:32:35,852
going to buy a Chateau and I'm going to have this wonderful lifestyle that I
527
00:32:35,876 --> 00:32:39,640
see. And then I think eventually they get tired of losing money
528
00:32:40,340 --> 00:32:43,820
and it's like, oh, we got to figure this out because it's a whole different
529
00:32:43,860 --> 00:32:47,348
part of the business. I think the complication of it is
530
00:32:47,404 --> 00:32:51,044
what confuses most people before they get. Into it,
531
00:32:51,132 --> 00:32:54,516
is the unseen part of it. Yes. Oh, yeah. The distributor side.
532
00:32:54,588 --> 00:32:58,372
And I don't know. Working in a vineyard is. Oh, it's so
533
00:32:58,396 --> 00:33:02,164
romantic. And then when you have to spend hours there in the cold or heat.
534
00:33:02,292 --> 00:33:05,988
Yeah. This part I didn't know about. Or hours
535
00:33:06,044 --> 00:33:09,844
at the sorting table during harvest. And I kill everything that I
536
00:33:09,852 --> 00:33:13,370
put in the ground, so I would be a lousy wine guy.
537
00:33:13,790 --> 00:33:17,542
But I loved marketing it and. But I liked it because
538
00:33:17,566 --> 00:33:21,094
I like telling the stories and telling people these stories. Having.
539
00:33:21,262 --> 00:33:24,886
I'll go back and I'll tell the story of our conversation. And
540
00:33:24,958 --> 00:33:28,770
this is an interesting part of it. Maybe you can shed some light on it.
541
00:33:29,070 --> 00:33:32,210
As intimidating as the subject can be for some people,
542
00:33:32,510 --> 00:33:36,198
and this is a whole social. I'm gonna. I'm gonna dumb
543
00:33:36,214 --> 00:33:39,958
down wine and make it approachable. I think that's impossible because it's
544
00:33:39,974 --> 00:33:43,686
complicated and it's interesting, and the more you want to learn, the more you can.
545
00:33:43,758 --> 00:33:47,462
Right. But the conversation at dinner time always ends up
546
00:33:47,486 --> 00:33:51,222
on the wine. Is that accurate? Yeah. Yeah.
547
00:33:51,366 --> 00:33:55,062
And that's not intimidating. People want to hear
548
00:33:55,086 --> 00:33:58,822
it. Yeah. And talking about intimidation
549
00:33:58,886 --> 00:34:02,726
and wine, I think that sometimes there is a mistake in making
550
00:34:02,798 --> 00:34:06,324
it too kind of an expertise, this field
551
00:34:06,412 --> 00:34:10,260
of conversation. When
552
00:34:10,300 --> 00:34:13,844
I hear people, you know, at the dinner table saying,
553
00:34:13,932 --> 00:34:16,800
well, I don't know too much about wine, so I.
554
00:34:17,500 --> 00:34:21,316
You don't need to know. You don't. You need to enjoy and
555
00:34:21,388 --> 00:34:25,092
see. And your personal preference is the main driver of
556
00:34:25,116 --> 00:34:28,740
your opinion. It's fine as long as you are honest and not try to like
557
00:34:28,780 --> 00:34:32,292
something that you don't like. And if you like a wine of $5 a
558
00:34:32,316 --> 00:34:35,782
bottle, that's great. You're lucky. Yeah.
559
00:34:35,846 --> 00:34:39,590
Yeah. You're lucky because you found something for
560
00:34:39,630 --> 00:34:43,478
$5. You know, it's funny. I think
561
00:34:43,534 --> 00:34:46,662
everybody, Even though there's people like, it's too
562
00:34:46,686 --> 00:34:50,422
subjective. And it is. I can like something, and
563
00:34:50,446 --> 00:34:54,246
you. You may not. However, I think almost
564
00:34:54,318 --> 00:34:58,006
everybody agrees when a proper glass of wine, an honest glass of wine,
565
00:34:58,038 --> 00:35:01,062
when a Rubicon is set. Set in front of you, that there's a
566
00:35:01,086 --> 00:35:03,960
recognition of its value.
567
00:35:04,340 --> 00:35:07,916
Definitely. Everybody can appreciate it because it's. Because
568
00:35:07,988 --> 00:35:11,452
why? Because it's expressing. It's expressing its sense of
569
00:35:11,476 --> 00:35:15,212
place. And there's not many areas of the
570
00:35:15,236 --> 00:35:18,812
world that can provide that and really show that incredible
571
00:35:18,876 --> 00:35:22,220
sense of place. And especially here in
572
00:35:22,260 --> 00:35:26,060
Napa, we've got people who are doing so many different styles
573
00:35:26,140 --> 00:35:29,340
of wine where you could have vineyards like
574
00:35:29,380 --> 00:35:33,180
Tocquelon down the street and all the different winemakers of it, and you put
575
00:35:33,220 --> 00:35:36,088
10 of those side by side by side, and you could think they're completely different
576
00:35:36,144 --> 00:35:39,752
vintages and vineyards just because of how
577
00:35:39,776 --> 00:35:42,300
differently they're made. That's really interesting.
578
00:35:43,600 --> 00:35:47,368
And people will. They. You know, it's funny because I have friends
579
00:35:47,424 --> 00:35:51,000
that recognize. They go, yes. You know, same
580
00:35:51,040 --> 00:35:54,280
winemaker, two different vineyards, same vintage, same
581
00:35:54,320 --> 00:35:58,008
grape. They go, they're different. Yes.
582
00:35:58,104 --> 00:36:01,340
Yeah. And let me introduce something. I was thinking of Jonathan
583
00:36:03,120 --> 00:36:06,520
yesterday, thinking of the concept. This
584
00:36:06,560 --> 00:36:10,392
may sound a little bit weird, but we
585
00:36:10,416 --> 00:36:14,008
don't make wine here. We don't make wine. That does sound
586
00:36:14,024 --> 00:36:17,752
weird. The wine comes in
587
00:36:17,776 --> 00:36:20,340
some way from the side.
588
00:36:21,520 --> 00:36:25,352
And I will equate you to Michelangelo in
589
00:36:25,376 --> 00:36:28,370
the sense that you remember that they said that
590
00:36:28,410 --> 00:36:32,066
Michelangelo saw the sculpture behind
591
00:36:32,138 --> 00:36:35,778
the marble block, and the only thing that he had to do was
592
00:36:35,834 --> 00:36:39,362
to kind of peel it, bring it out. Well, I wouldn't like to be in
593
00:36:39,386 --> 00:36:42,738
his shoes, in Jonathan's shoes, because it's your
594
00:36:42,794 --> 00:36:45,990
ability to peel off what you need to peel
595
00:36:46,330 --> 00:36:49,970
or to reveal the wine by trying to. Not to mess
596
00:36:50,010 --> 00:36:53,450
anything up. So. And that is more
597
00:36:53,490 --> 00:36:56,858
difficult than making something, because when you
598
00:36:56,914 --> 00:37:00,710
make, you have a goal. You kind of build something
599
00:37:01,490 --> 00:37:05,290
and, you know, and you have the recipe for that. And this is not
600
00:37:05,330 --> 00:37:08,954
the recipe thing. This is revealing something that is hidden
601
00:37:09,002 --> 00:37:12,410
there. And you have to have an ability that is much more
602
00:37:12,450 --> 00:37:15,722
difficult, that is to see what is behind there,
603
00:37:15,906 --> 00:37:19,318
to kind of remove what you have to remove to make it.
604
00:37:19,474 --> 00:37:23,182
That's sort of separating the art from the science, isn't it? Like,
605
00:37:23,206 --> 00:37:26,414
you can have all the metrics, the bricks, and the phenolic ripeness and all the
606
00:37:26,422 --> 00:37:30,158
things that go into the ph, but that's not really what you're
607
00:37:30,174 --> 00:37:33,694
talking about. No. There's so much art in our craft, especially in the
608
00:37:33,702 --> 00:37:36,930
vineyards as well. I mean, yes, we have all the science,
609
00:37:37,430 --> 00:37:40,974
but you're trying to make predictions
610
00:37:41,022 --> 00:37:44,718
on what the weather's going to be like a few months down the line. None
611
00:37:44,734 --> 00:37:48,462
of us know what's going to happen. You're rolling the
612
00:37:48,486 --> 00:37:52,294
dice every single year and hoping you make the best decisions
613
00:37:52,342 --> 00:37:55,878
possible. But I think what Enrique is saying is that at some
614
00:37:55,934 --> 00:37:59,670
point, when you get to harvest, your ability to
615
00:37:59,710 --> 00:38:03,494
taste the grape, understand the vintage prior, understand, you
616
00:38:03,502 --> 00:38:07,222
know, the whole process from Bud break to now, and say, okay, this
617
00:38:07,246 --> 00:38:10,838
is what we're going to craft from this. This is what it's giving me
618
00:38:10,974 --> 00:38:14,742
and not screwing that up. The giving. Yeah. You are
619
00:38:14,766 --> 00:38:18,262
getting something to feel it. And that is more difficult than
620
00:38:18,286 --> 00:38:21,954
making. It's like those conversations they have. They got. The tap
621
00:38:22,002 --> 00:38:25,634
roots are going down. We're down 30 meters, and we're getting this nutrient. We're in
622
00:38:25,642 --> 00:38:28,470
this kind of soil. And it doesn't explain
623
00:38:28,970 --> 00:38:32,674
why grapes grab
624
00:38:32,722 --> 00:38:36,530
all that information and create a beverage. That explains that
625
00:38:36,570 --> 00:38:39,618
information. Absolutely. It just explains it how.
626
00:38:39,754 --> 00:38:43,346
Right. How it's doing. Well, we have tap roots, and we have the little micro
627
00:38:43,378 --> 00:38:46,082
exchanges of things going on, nutrients, and they had to go down and get the
628
00:38:46,106 --> 00:38:49,898
water. But whatever it does, it asks me why. And I. And I have.
629
00:38:49,954 --> 00:38:53,786
No one can articulate why grapes do that, why
630
00:38:53,858 --> 00:38:57,674
wine expresses something. It doesn't happen. With pineapples, you go to Maui and
631
00:38:57,682 --> 00:39:01,386
get Maui Blanc. It's not as interesting, right? It's just pineapple
632
00:39:01,418 --> 00:39:05,258
juice. Why? Why? No, it's
633
00:39:05,274 --> 00:39:09,082
true. It's true. It's. And probably
634
00:39:09,146 --> 00:39:12,970
there is no need to know why, but. That's right. But
635
00:39:13,010 --> 00:39:16,810
to acknowledge that there is a. Probably a very
636
00:39:16,850 --> 00:39:20,458
complex process through that will give you something that
637
00:39:20,514 --> 00:39:24,122
is. Could be unique to your place. And the
638
00:39:24,146 --> 00:39:27,962
only thing which is not a minor thing you have to
639
00:39:27,986 --> 00:39:31,466
do is to try to bring it
640
00:39:31,618 --> 00:39:35,322
out. That's really interesting part of the
641
00:39:35,346 --> 00:39:38,150
conversation. We don't care why.
642
00:39:39,010 --> 00:39:42,590
We just know it does. And our job, and your job, not
643
00:39:42,630 --> 00:39:46,410
mine, your job is to visualize this. Just like
644
00:39:47,590 --> 00:39:50,450
visualizing David behind the block of stone
645
00:39:51,190 --> 00:39:54,686
before it gets done and understanding that you got there when you finished
646
00:39:54,718 --> 00:39:57,530
it and getting out of the way.
647
00:39:58,310 --> 00:40:02,142
That's why these acidulated wine, sugared wine, all those things kind
648
00:40:02,166 --> 00:40:05,870
of doctor things up. And you never really
649
00:40:05,910 --> 00:40:09,582
get there because you've played with it. That's highlighted by this
650
00:40:09,606 --> 00:40:13,342
one conversation I had with a local friend of mine who has a winery. He
651
00:40:13,366 --> 00:40:16,558
has a small vineyard, and he made his first vintage out of it. And it's
652
00:40:16,574 --> 00:40:20,250
not even appalated. It's just this part of Southern California. And,
653
00:40:20,790 --> 00:40:24,318
you know, it was palatable. But he took it to a custom
654
00:40:24,374 --> 00:40:28,110
crush. And I talked to the winemaker, and I said, well, you know, the
655
00:40:28,150 --> 00:40:31,582
acid was high and whatever, you know, as you'd expect, he goes, oh, we can
656
00:40:31,606 --> 00:40:35,192
fix all that. And that's, you know,
657
00:40:35,296 --> 00:40:38,952
I don't want you to fix it. I want you to have it understood, you
658
00:40:38,976 --> 00:40:42,520
know, in the bottle. Not. Not fix it, because that's just playing with
659
00:40:42,560 --> 00:40:46,408
it. And that's the part of wine that I think. But we need these things,
660
00:40:46,464 --> 00:40:50,180
right? We need Josh, we need apothec red.
661
00:40:51,360 --> 00:40:54,260
We need the wines on the supermarket shelf to bring
662
00:40:54,640 --> 00:40:58,200
consumers to the table. That otherwise may not
663
00:40:58,240 --> 00:41:00,820
right something for everybody out there. Yeah,
664
00:41:02,440 --> 00:41:05,660
yeah. And it's true that there is a.
665
00:41:06,200 --> 00:41:09,740
I think that there are only not that many
666
00:41:10,760 --> 00:41:14,096
products that have such a
667
00:41:14,168 --> 00:41:17,744
huge range of prices. And you can go from a
668
00:41:17,752 --> 00:41:21,168
bottle that is probably like we said, $5 something
669
00:41:21,304 --> 00:41:24,420
thousand dollars and everybody finds
670
00:41:25,060 --> 00:41:28,520
the reason why to pay what they pay for different
671
00:41:28,820 --> 00:41:32,044
levels of wine and is so diverse
672
00:41:32,092 --> 00:41:35,772
and complex. There's some very honest
673
00:41:35,836 --> 00:41:39,676
wines at all price ranges. The other night I opened a bottle
674
00:41:39,708 --> 00:41:43,436
of Cheval Blanc for my wife because it was her birthday. And my son
675
00:41:43,468 --> 00:41:46,060
in law says this is really good. I said yeah. He goes, is it really
676
00:41:46,100 --> 00:41:49,884
worth. Let's say it's a thousand dollars a bottle. He said, were they worth
677
00:41:50,012 --> 00:41:53,780
200 more? You know, 200 times, 20 times a 50 bottle of wine?
678
00:41:53,860 --> 00:41:57,236
I said that's hard to acknowledge from a character
679
00:41:57,268 --> 00:42:00,360
standpoint. But you just had Cheval Blanc.
680
00:42:01,420 --> 00:42:04,880
So regardless, you know, it's got the mystique around it.
681
00:42:06,780 --> 00:42:09,440
I think we, we are in a position
682
00:42:10,060 --> 00:42:12,800
to break out of this
683
00:42:14,860 --> 00:42:18,680
doldrums of wine that we're in this pit sort of.
684
00:42:19,300 --> 00:42:23,100
It just ebbs and flows. But I think what Engelnook is
685
00:42:23,140 --> 00:42:26,764
doing is moving the needle to the direction that
686
00:42:26,852 --> 00:42:30,460
in general we want the industry to go. We want it to be expressive. We
687
00:42:30,500 --> 00:42:34,044
want to tell people about how a good glass of wine feels and what it
688
00:42:34,052 --> 00:42:36,160
does for you. Do you guys chase
689
00:42:38,180 --> 00:42:41,868
medals and honors and scores? We don't. Our
690
00:42:41,924 --> 00:42:45,720
goal is to always just make the best expression of the site.
691
00:42:46,020 --> 00:42:49,704
If we happen to get good scores, that's a bummer bonus.
692
00:42:49,832 --> 00:42:53,432
But they're sent to the various places suckling and enthusiasts and all
693
00:42:53,456 --> 00:42:57,048
that. Yeah, they are judged by. Do you think those are
694
00:42:57,184 --> 00:43:00,776
pertinent these days? Do you think they're relied
695
00:43:00,808 --> 00:43:03,976
upon like they used to be when Parker started kind of thing? I don't think
696
00:43:04,048 --> 00:43:07,832
so. I don't think they're as important as they were 20ish years
697
00:43:07,856 --> 00:43:11,020
ago. What's your sense?
698
00:43:11,920 --> 00:43:14,980
And the other thing is that
699
00:43:17,350 --> 00:43:20,490
it depends. I don't want to make a very
700
00:43:20,870 --> 00:43:24,622
general statement, but let's say that I become a
701
00:43:24,646 --> 00:43:27,850
critic of wine and then
702
00:43:28,310 --> 00:43:31,930
there will be wines that I enjoy more than others.
703
00:43:32,390 --> 00:43:35,930
And then am I a guidance for
704
00:43:36,390 --> 00:43:39,450
anybody? Just because I'm kind of
705
00:43:39,750 --> 00:43:43,270
placing my values on different type of wine.
706
00:43:43,430 --> 00:43:47,254
And I would be sad if a consumer
707
00:43:47,302 --> 00:43:50,982
goes and say okay, oh, let's see which one Enrique like the most? Because that
708
00:43:51,006 --> 00:43:54,486
is. Well, that is My taste? Yeah, you know, right,
709
00:43:54,638 --> 00:43:58,486
that's a good point. Why don't you experiment by yourself? That's a really good point.
710
00:43:58,558 --> 00:44:02,310
Well, that's why we got then this uniformization of taste at some point
711
00:44:02,350 --> 00:44:05,974
that you were talking about in the 90s or 80s, that everybody
712
00:44:06,022 --> 00:44:09,870
pretty much was trying to make the wine to satisfy whoever was
713
00:44:09,910 --> 00:44:13,330
a given score so the consumer could buy your wine.
714
00:44:14,550 --> 00:44:18,370
So it's true that it's good as a guidance.
715
00:44:19,030 --> 00:44:22,718
Like with movies, you sometimes go and see what the critics say and
716
00:44:22,774 --> 00:44:26,302
sometimes you say, okay, but if there is an honest description behind
717
00:44:26,406 --> 00:44:30,110
it and you might say, okay, the guy doesn't like this
718
00:44:30,150 --> 00:44:33,870
because it features this characteristic, but
719
00:44:33,910 --> 00:44:37,250
I do like those things, for me, that could be useful,
720
00:44:37,560 --> 00:44:41,312
then the value part of the thing is possibly less
721
00:44:41,336 --> 00:44:44,460
useful. You know, that's a good point because that's the other thing.
722
00:44:45,080 --> 00:44:48,140
We're out of time actually. But there's so much to talk about.
723
00:44:49,240 --> 00:44:52,544
There are contemporary thoughts on LinkedIn and
724
00:44:52,632 --> 00:44:56,464
social that say we need to change the language of wine. And I'm thinking
725
00:44:56,512 --> 00:45:00,224
like I go back to my father's days with Michael Broadbent and Harry Waugh and
726
00:45:00,232 --> 00:45:04,022
all these English tasters and they had a specific list of things they used except
727
00:45:04,036 --> 00:45:07,362
explain the value of a glass of wine. And it was just confusing to the
728
00:45:07,386 --> 00:45:11,202
novice to listen to Michael Broadbent, as it is today for
729
00:45:11,226 --> 00:45:14,962
a novice to listen to suckling. Right. If you change the
730
00:45:14,986 --> 00:45:18,242
language and you make it more like Gary Vaynerchuk and you talk about, you know,
731
00:45:18,266 --> 00:45:21,682
Fruit Loops and Captain Crunch, it's just as
732
00:45:21,706 --> 00:45:24,910
confusing for the next person. Like, I don't understand what that means
733
00:45:25,290 --> 00:45:28,802
because I never grew up with those. So I don't. You know, these descriptors that
734
00:45:28,826 --> 00:45:32,562
people use. Changing the language of wine is not going to change anything. It's just
735
00:45:32,586 --> 00:45:36,428
going to make it just as confusing for the next generation to figure out. But,
736
00:45:36,484 --> 00:45:39,920
you know, the point I was going to make was I had a Canary Islands
737
00:45:40,660 --> 00:45:43,884
and I can't remember the varietal now, but it was obscure varietal from the Canary
738
00:45:43,932 --> 00:45:47,660
Islands. It was really incredible, all volcanic, all that stuff. And
739
00:45:47,700 --> 00:45:51,356
it had 90 something points. And if I, if I'm
740
00:45:51,388 --> 00:45:55,084
a point shopper and I go buy an Engelna cab
741
00:45:55,212 --> 00:45:58,828
that's got the same 90 something points and I put them next to each other,
742
00:45:58,884 --> 00:46:02,704
they're entirely completely different wines. And so you're just going
743
00:46:02,712 --> 00:46:05,792
to go, I didn't like that so much one way or the other. And so
744
00:46:05,816 --> 00:46:09,312
I'm not sure this point system really Works in that realm. And I think what
745
00:46:09,336 --> 00:46:12,460
you're saying is an important part is which. Well, if you do find
746
00:46:13,640 --> 00:46:17,296
somebody that tastes wine like suckling or one of those guys that you trust,
747
00:46:17,328 --> 00:46:20,960
their judgment because of what you've bought from them is a good
748
00:46:21,000 --> 00:46:24,752
indication. And I always said this in the club. I said, how
749
00:46:24,776 --> 00:46:28,444
do you know when you don't like a wine, it's a
750
00:46:28,452 --> 00:46:31,960
Sonoma cab, that it wasn't. It was just not a good
751
00:46:32,260 --> 00:46:36,092
version of that wine? Or you just don't like that varietal from
752
00:46:36,116 --> 00:46:39,160
that location? How do you know that? And I think that's what these
753
00:46:39,940 --> 00:46:43,692
magazines and raiders do. And to make
754
00:46:43,716 --> 00:46:47,244
things more confusing, first, the definition of quality
755
00:46:47,292 --> 00:46:51,036
is also another concept that is very difficult to grasp,
756
00:46:51,148 --> 00:46:54,170
is what is quality quality?
757
00:46:54,590 --> 00:46:58,214
So what we discuss
758
00:46:58,302 --> 00:47:01,970
internally here is that I think the
759
00:47:02,270 --> 00:47:05,254
best definition has to do with
760
00:47:05,342 --> 00:47:08,966
expectation. So you
761
00:47:09,118 --> 00:47:12,966
say, okay, I'm trying to achieve this characteristic
762
00:47:12,998 --> 00:47:15,730
in a product wine in this case.
763
00:47:16,110 --> 00:47:19,884
And as much as you can achieve
764
00:47:19,932 --> 00:47:23,440
that, you will be closer to your best quality.
765
00:47:23,860 --> 00:47:27,372
And that within that concept, you allow for
766
00:47:27,396 --> 00:47:30,812
people to say, yes, it's good quality. Achieve what,
767
00:47:30,996 --> 00:47:34,764
you know, you were pursuing. But I still don't like it.
768
00:47:34,932 --> 00:47:38,732
So I cannot like a wine that I consider, yeah, is
769
00:47:38,836 --> 00:47:42,332
good quality. Because it got to the point where it was,
770
00:47:42,516 --> 00:47:46,230
you know, they wanted to get. Yes, right. But I still.
771
00:47:46,610 --> 00:47:50,330
Not something that I enjoy perfectly fine. As long as you,
772
00:47:50,370 --> 00:47:54,154
you know, now, you know, like my wife Sira, I
773
00:47:54,162 --> 00:47:56,458
mean, and I stumped her a lot of times. You know, I give her coat,
774
00:47:56,474 --> 00:48:00,234
the Rhone. I gave her stuff from different parts of the world. It's like, I
775
00:48:00,242 --> 00:48:03,226
don't like this. I'm like, oh, my God. How do you figure that out? But
776
00:48:03,298 --> 00:48:06,922
she can still say, it's a good quality syrup. It's quality. I don't like
777
00:48:06,946 --> 00:48:10,282
it. I can't tell you how many times I said, no, you don't understand. This
778
00:48:10,306 --> 00:48:12,710
is fine French Burgundy, you know,
779
00:48:15,620 --> 00:48:19,404
I said, and you liked it two weeks ago. We're out of
780
00:48:19,412 --> 00:48:23,004
time. And I. I hope we can do this again one day. I want to
781
00:48:23,012 --> 00:48:26,668
shoot some B roll stuff, but we have so much more to continue
782
00:48:26,724 --> 00:48:30,268
to talk about. And as this industry evolves, we're going to have
783
00:48:30,324 --> 00:48:34,092
different subjects to touch on. But it's already been 50 minutes, if you can believe
784
00:48:34,116 --> 00:48:37,772
it. Wow. It was a very pleasant conversation.
785
00:48:37,836 --> 00:48:41,500
Yeah. I really appreciate the time and not been here.
786
00:48:42,280 --> 00:48:45,580
Really feel like I'm sitting in a piece of history,
787
00:48:45,960 --> 00:48:49,808
and I think that's the story. And accolades
788
00:48:49,824 --> 00:48:53,100
to both of you guys. For taking on this role because
789
00:48:53,480 --> 00:48:57,152
you're defending. Really, My opinion is you're defending this
790
00:48:57,176 --> 00:49:00,576
industry by sharing these experiences in this place.
791
00:49:00,648 --> 00:49:02,880
So cheers. Cheers. Cheers.